CHADWICK BOSEMAN (1976 - 2020)

I am still trying to recover from the shocking news that the actor, Chadwick Boseman, who will probably be best remembered for playing the lead in "Black Panther", one of the most successful super-hero films of all-time, had passed away on August 28th at the young age of forty-three. The gifted actor had been privately dealing with colon cancer for the last four years yet amazingly still continued to work steadily throughout treatment. Boseman was recently seen in Spike Lee's Vietnam War drama, "Da 5 Bloods" on Netflix in June and will make his final screen appearance in an adaption of August Wilson's play, "Ma Rainey's Black Bottom" due out later this year on Netflix.

Born and raised in Anderson, SC, Boseman had been drawn to writing for the theater and performing since high school. He attended college at Howard University and earned a Bachelor of Fine Arts in directing. One of his teachers was actress, Phylicia Rashad, who would later became a mentor to him. After he graduated, Boseman moved to Brooklyn, working a variety of jobs including an acting instructor in Harlem before deciding to try his luck in Los Angeles.

He quickly earned roles in episodes of several television series including that staple for all aspiring actors, "Law & Order". Boseman also continued to write plays during this time, with one script, "Deep Azure" was performed in Chicago. The actor's major breakthrough was playing baseball great, Jackie Robinson who broke through the color barrier in the film,"42" in 2013. Boseman's mesmerizing performance helped him capture the attention of Hollywood and he would take on the roles of two more important figures in African-American history; as the "Godfather of Soul", James Brown in the musical bio-pic, "Get On Up" and in "Marshall" where he played Thurgood Marshall, a young lawyer on his first case before he would later go on to become the first African-American Supreme Court Justice.

But it would be Black Panther, the Marvel super-hero from the African nation of Wakanda where the actor would make the biggest impact. Boseman played the character in four feature films with his first appearance in "Captain America: Civil War" in 2016, in the two-part, "Avengers: Infinity War" and "Avengers: Endgame" and with "Black Panther" in 2018. While the film was expected to do very well, "Black Panther" went way beyond anyone expectations. The film made an incredible $1.3 billion worldwide, breaking numerous box office records while becoming the ninth-highest-grossing film of all time. "Black Panther" was also critically acclaimed with it receiving many awards including seven Academy Award nominations (which included Best Picture, a first for any comic-book movie) and would win three.

Although he did not have the opportunity to make many films, what Mr. Boseman was able to accomplish in such a short period of time is still quite impressive. He has left behind a collection of wide-ranging, important roles that displayed his strong desire to showcase and celebrate the African-American experience through fictional and non-fictional cinematic works. As a truly inspirational and brilliant performer, his passing is an incredible loss. The artistry of Chadwick Boseman will be greatly missed.

MY FAVORITE FILMS OF 2013

2013 didn't exactly start off very promising but as the months progressed, the slate of films improved immensely. By the end of the year, there was a massive explosion of must-see, highly entertaining movies filling the theaters. While it was slightly challenging, I did manage to narrow my selections of the films that thrilled me, made me giggle, brought tears to my eyes or simply made me forget about what a lousy day I'd been having.

"AMERICAN HUSTLE"

I don't put these lists in any order of preference nor do I proclaim one to be "the very best of the year" but if I were to ever do such a thing, David O. Russell's brilliantly absorbing and wildly absurd dramatic comedy, "American Hustle" would come very close to earning that title. The tale of two lovebird con-artists (Christian Bale and Amy Adams) who get swept up in to a major sting operation by a ruthless FBI agent (Bradley Cooper) in order to catch a politician (Jeremy Renner) getting his hands dirty. The couple struggle to stay one step ahead of the authorities as well as the man's loose-cannon younger wife (Jennifer Lawrence, who should definitely win another Oscar for her work here) who threatens to unravel the whole thing.. From the flawless performances to the razor-sharp screenplay to the perfectly exaggerated 70's fashions to the right-on musical soundtrack, "American Hustle" is film making at it's very finest.

"12 YEARS A SLAVE"

Brutal, devastating and completely unforgettable, "12 Years A Slave" tells the unimaginable true story of Solomon Northup, a free, Northern African-American who was torn from his family and sold in to slavery in the deep South. Lead by a masterful turn by Chiwetel Ejiofor and a gripping screenplay by John Ridley, director Steve McQueen makes no effort to hold anything back which makes every moment feel even more tragic and terrifying. The standouts in a collection of amazing performances include Michael Fassbender as a vicious slave owner, Sarah Paulson as his equally deranged wife and in her first major screen role, Lupita Nyong'o who breaks your heart as the slave who is mercilessly tortured by them both. Months after seeing this, the images in "12 years A Slave" still haunt me.

"ENOUGH SAID"

Just when you thought that the state of the modern romantic-comedy was a complete lost cause, along comes "Enough Said". Not only is it smart, funny and very touching but the film refreshingly focuses on a mature couple. Julia Louis-Dreyfus stars as a divorced woman whose daughter is preparing to head off to college. Facing an empty nest, she's encouraged to start dating and meets a man (James Gandolfini) who, on the surface, appears to not be exactly her type. Their relationship is further complicated for a number of reasons but mainly due to his ex-wife (Catherine Keener). This is another winner written and directed by Nicole Holofcener who has, sadly, made very few films but they all feature her biting yet delightfully insightful and humorous views on relationships. And the underrated film maker is finally getting some long overdue attention as "Enough Said" is her most commercially successful to date.  



"HER"

"Her" is a romance designed with the millennials in mind. Set in a recognizable future, an introverted man (Joaquin Phoenix), recently separated from his wife (Rooney Mara), purchases an animated operating system to help simply his life. This talking computer (voiced by Scarlett Johansson) not only organizes his affairs but develops true affection for her human. He soon finds himself also smitten and struggles to return those feelings. While this all might sound a bit preposterous but Spike Jonze, who directs his first original screenplay, makes it all seem quite plausible and features Mr. Phoenix at his most charming. Shockingly, this is only the fourth feature film by the talented Mr. Jonze since "Being John Malkovich" way back in 1999 and while "Her" shares that film's quirky, whimsical spirit but there's also a surprisingly lovely tenderness to be found.



"BLUE IS THE WARMEST COLOR"

Ignore all the fuss regarding the no-holds-barred sex scenes or the on-going bickering between the director and the actresses, "Blue Is The Warmest Color" is a transcendent exploration in to a young woman's discovery of first love. That it involves another woman makes it even more uneasy and arduous. Abdellatif Kechiche has co-written and directed a lengthy but passionate film that doesn't judge the characters but simply reveals their story. Twenty-two year old, Adèle Exarchopoulos makes you feel every joyous, messy, and painful moment in her breakout role while Léa Seydoux also amazes as the object of her desire.



"PHILOMENA"

Based on a real-life incident, "Philomena" tells the story of an unwed, Irish teen who becomes pregnant and sent away to a convent. Forced to sign away her parental rights, her son was adopted and Philomena has been searching for him every since. The film has been accused of being anti-Catholic but this is far from accurate. "Philomena" does not go out of it's way to bash the church but only attempts to tell one woman's tragic experience. Even the real Philomena Lee harbors no ill will. Stephen Frears has crafted a heartfelt work that manages to be both somber and witty. As Philomena, the extraordinary Judi Dench  is simply a marvel and Steve Coogan (who co-wrote the screenplay) is perfect as Martin Sixsmith, the reporter who helped with the investigation and wrote the book which the film is based.

"BEFORE MIDNIGHT"

Ethan Hawke, Julie Delpy and director Richard Linklater have together created possibly the world's first art-house trilogy. The team has written another engaging chapter in the lives of Jesse (Hawke) and Céline (Delpy) who first met back in 1995 in "Before Sunrise" on a train to Vienna. Almost ten years later in "Before Sunset", the couple reconnected and now with, "Before Midnight" Jesse and Céline have become parents and are suffering from a mid-life crisis. As with the previous films, we simply follow them as they have nothing more than rich, fascinating conversations but this time regarding family, marriage and aging.



"BLUE JASMINE"

The films of Woody Allen have always been hit or miss affairs and his latest,  "Blue Jasmine" certainly falls in the hit category. Cate Blanchett has been given one of her best roles in years and takes full advantage as the high-class wife of a wealthy, New York banker (Alec Baldwin) who stole millions from investors. Broke, disgraced and in need of shelter, Jasmine heads to San Francisco to live with her sister, Ginger (Sally Hawkins). However, Ginger's blue-collar boyfriend (Bobby Cannavale) and ex-husband (Andrew "Dice" Clay) who lost money in a bad investment are less than thrilled by Jasmine's arrival.


"WORLD WAR Z"

Despite a troubled production that required serious rewrites and major re-shoots, "World War Z" managed to become not only a thrilling but thought-provoking zombie flick. Brad Pitt stars as a former UN investigator who is brought back in to help save the world as a mysterious virus is quickly spreading and turning everyone into the living dead. I'm not usually a fan of gratuitous blood and gore but this suspenseful thrill-ride worked for me because it kept all of the non-stop action grounded in a plausible reality.



"SPRING BREAKERS"

"Spring Breakers" takes the annual ritual of college kids heading to Florida for some fun in the sun and gives it a wicked, dark spin. Disney alums, Selena Gomez and Vanessa Hudgens shake up their good-girl image as not-so-sweet, bikini-clad young ladies who party-hard and commit armed robbery to help pay for their trip. The ever-busy James Franco makes an amusing impression as Alien, a corn-rowed, local rapper/gangsta who seduces the girls with his high-rolling lifestyle. Indie-film maker, Harmony Korine has made his most commercial film to date although this trippy film is as eccentric as it is electrifying.



"THE SPECTACULAR NOW"

Lead by two star-making performances from Miles Teller and Shailene Woodley, "The Spectacular Now" takes an honest look at the stress and complications of being a modern teenager. Teller (who reminds me of a young Tom Hanks) plays a popular high school senior that knows exactly how to have a good time but really has no idea what he's going to do with his life after graduation. He's also becoming increasingly aware that he may be developing a serious problem with alcohol. Woodley (first making an impression in "The Descendants") dazzles as the sweet, shy girl who overlooks his issues and only sees the potential.




"20 FEET FROM STARDOM"

"20 feet From Stardom" is a documentary that's a celebration of the unsung heroes of pop music; the back-up vocalist. Morgan Neville has focused on some of these talented singers (many whose names you may not be familiar with) that worked their magic on almost all of the most popular songs of the rock & roll era. These dynamic ladies such as Merry Clayton, Gloria Jones, Claudia Lennear, Lisa Fischer and Darlene Love all attempted to make a name for themselves in front of the stage but ultimately accepted their place behind the spotlight. The famous voices of Mick Jagger, Sting, Bette Midler and Stevie Wonder appear to gladly sing their praises. I am a big music lover, so this vibrant and informative doc was right up my alley.


Honorable Mention: "42", "Captain Phillips", "Don Jon", "Fruitvale Station". "Gravity","The Invisible Woman", "Nebraska", "Pain & Gain", "Saving Mr. Banks", "Short Term 12", "The Way Way Back"

42 (2013)

Written & Directed by Brian Helgeland


Where & When: Arclight Cinemas, Hollywood, CA.  April 15, 2013  5:00PM


It would seem unimaginable that a person today would be allowed to loudly scream racial epithets at someone in public without no one even raising an eyebrow. The fact is that not so long ago, that type of behavior was widely accepted and most likely, others would begin to spit out their own additional ugly insults.

In the uplifting and inspirational film, "42", which tells the controversial story of an African-American, Jackie Robinson (portrayed in a star-making turn by Chadwick Boseman) and his difficult struggle to simply play professional baseball along side Caucasian men. This moment occurs when the Philadelphia Phillies manager (bravely played by Alan Tudyk) repeatedly shouts out every derogatory name he can think of at the player. The purpose is not so much to rattle Robinson but to remind him that he's not at all welcome in white baseball.

It all began when Branch Rickey (Harrison Ford), a former ballplayer and now the GM of the Brooklyn Dodgers decided it was time to have a black player on the team. First, the ideal candidate had to be found who is not only a great player but has the inner strength to withstand and not react to the verbal abuse that will most certainly be directed at him. Jackie Robinson, a promising player in the Negro league, is selected. The plan is to first have Robinson join the Montreal Royals which was part of Brooklyn's International league in 1946. Living in Pasadena, California, Robinson heads out to spring training with his new bride, Rachel (Nicole Beharie) for support. Rickey also arranges for Wendell Smith (Andre Holland), an African-American sports writer to not only cover this ground-breaking moment but help keep a watchful eye over the player.

Motivated not only by monetary gain but a lifelong desire to do the right thing,  Rickey knew that the integration of baseball would be highly complicated nor easily accepted but still he underestimated the extreme hostility and resistance to the very idea. Even before Robinson had set foot in the locker room, many of his future teammates signed a petition against him joining the Dodgers but Rickey informs them that he would be more than willing to trade any unhappy player to another team.

Now a member of the famed ball team and given the number "42", Robinson was fully aware of what he was getting in to but failed to take in to account the personal toil it would take, leaving him feeling isolated and highly frustrated. But he manages to find the inner strength to endure as he realizes the hardships he faces are a means to an end.

"42" is set in the early stages before the civil rights movement when change was in the air as some began to seriously question the injustices placed upon minorities, regardless of whether society at large was ready or willing to adapt. The film doesn't shy away from the ugliness that comes from that fear and the desperation to hang on to convention . This point is driven home in a scene where a father and son are together to enjoy a baseball game. Shortly after Robinson enters the field, the father begins shouting the N-word as the young boy is shocked and slightly dismayed. However, as soon as the crowd begins to roar louder with additional disturbing taunts directed at the player, the child feels obligated to join the mob.

This isn't the first time Robinson's story has been told on film as the 1950, "The Jackie Robinson Story" has the ballplayer actually playing himself. That film was more of a rush-job to capitalize on the controversy but with "42", writer/director Brian Helgeland has crafted a film with a broader emotional scope and rich visual design. Mr. Helgeland has been best known for many years as a respected writer in Hollywood, responsible for such films as "Mystic River", "Man on Fire" and "L.A. Confidential" (which won him an Oscar in 1997), but this is only the third time he has directed (although technically his fourth as he kept the credit on his first, the 1999 Mel Gibson thriller, "Payback" but the studio did not release his cut of the film). Following the forgettable "A Knight's Tale" and "The Order", "42" is clearly his most impressive, filled with heartfelt performances, majestic camera-work by Don Burgess and, not surprisingly, a thoughtful, well-written screenplay although it doesn't venture far enough out of the traditional "based-on-a-true-story" format.

This may be the first high-profile role for Chadwick Boseman but clearly just the beginning of a long film career ahead. Much like what Daniel Day-Lewis had to do with his performance in "Lincoln", the actor had to dig deep to bring out the humanity of a heroic figure whose character has been shaped by folklore. While not completely successful, Boseman manages to make a compelling impression and displays a promising future. It has been a while since Harrison Ford has had a part where he hasn't coasted on his movie-star charisma but here he seems to relish the opportunity to play a character while delivering a richly nuanced performance

"42" suffers the same fate as many of the bio-pics that receives the blessing of the estate; you no longer have an accurate portrait of a flesh & blood individual but the glorified idea of who that person was. No matter. The film remains a powerful and moving tribute to one brave man who stood up to the difficult challenge of being the first, so that many would be given the opportunity to follow behind him.