Monday, March 23, 2020

THE INVISIBLE MAN (2020)

Written & Directed by Leigh Whannell


Where & When: Arclight Cinemas, Hollywood, CA. March 1, 2020 5:00 PM



This latest filmed version of "The Invisible Man", inspired by the 1897 novel by H.G. Wells and the 1933 Hollywood movie starring Claude Rains and Gloria Stuart (who would later be better known as "Old" Rose in "Titanic), is set firmly in the contemporary world. While there are still plenty of elements involving sci-fi and horror, this "Invisible Man" is far more of a psychological drama. Leigh Whannell, the writer behind the modern horror classics, "Saw" and "Insidious", made the bold and captivating move with his third time as a director to shift the focus from the man who can make himself imperceptible to his girlfriend, with a thrilling, go-for-broke performance by Elizabeth Moss, as a troubled woman who believes she is still being tortured by her abusive boyfriend even after his apparent death.

The film opens with Cecilia Kass (Moss) beginning her elaborate plan to escape from her boyfriend, Adrian Griffin (Oliver Jackson-Cohen) in the middle of the night. While Griffin may be handsome, wealthy and a successful scientist, he is also controlling, violent and emotionally abusive to Cecilia. After secretly drugging him to make sure he doesn't wake up, she retrieves her hidden packed bag and races out of the house to her sister, Emily (Harriet Dyer) awaiting in a running car. But the drug wasn't enough to keep Griffin down. He almost catches her yet Cecilia successfully escapes.

A traumatized Cecilia hides out at the home of her childhood friend, James (Aldis Hodge), a police officer and his teenage daughter, Sydney (Storm Reid). Certain that Griffin will track her down, she is too frightened to leave the house. Not long after she begins to feel more at ease, Cecilia receives some unexpected news. Griffin has not only committed suicide but has left her his vast fortune in his will. She is certain that Griffin would never kill himself and this must be some sort of trick.

But after meeting with Griffin's lawyer (and brother), Tom (Michael Dorman), Cecilia is presented with photographic evidence of Griffin's demise, although she's still highly skeptical. And she's also informed that the inherited estate will be forfeited if she doesn't remain mentally competent. This soon leads to her beginning to sense a presence lurking around her in the house, nothing she can actually see but definitely being felt. After some odd, unexplainable occurrences start to happen (a stove burner is turned up high, causing a fire; she is drugged by the same narcotic she used on Griffin) Cecilia begins to suspect that somehow her former boyfriend must be behind these mysterious activities.

"The Invisible Man" could have easily become a supernatural thriller at this point but the film remains rooted in science-fiction, easily generating scares and discomfort from an invented device, a human menace who terrorizes under a cloak of invisibility. When Griffin is finally revealed to Cecilia, a violent, physical altercation happens between them. Now that she has discovered his secret, the unseen Griffin's increasingly dangerous actions causes Cecilia to become alienated from her family and friends and become a suspect in a horrific crime. Tossed in to a mental hospital, she's left desperately trying to convince everyone that she's not really losing her mind.

But Cecilia refuses to remain a victim. Newly determined and strong-willed, she will no longer allow herself to be abused, more than willing to fight back even if she can't physically see her antagonist. Ms Moss, who has displayed numerous times her steely tenacity in roles ranging from the television series, "Mad Men" and "The Handmaid's Tale" to just recently in the under seen indie feature, "Her Smell" where she played a self-destructive rock-n-roller, delivers another fully committed, breathtaking performance. The actress appears in almost every scene, expertly holding focus as she expresses all of the fear, agony, and ultimately, bravery that will lead Cecilia to finally become ready to kick some invisible ass.

Much like what Jordan Peele did with his films, "Get Out" and "Us", "The Invisible Man" features a deeper, thought-provoking message buried inside of a genre movie. While this film may not be as artfully conceived as Mr. Peele's work, Whannell has crafted a moving, emotional character study which examines the complications that women face in abusive relationships and the extreme difficulties of extracting themselves from these situations. Yet the film also manages to entertain with what is expected from these types of films; providing shrouded frights, suspenseful action and bloody thrills.

"The Invisible Man" doesn't fall easily into any category as it's sort of a thriller, not really science-fiction and definitely not a horror flick. But that's what makes this film even more interesting, it's ability to defy categorization and expectations. With the unusual approach of revealing the terror only from the victim's point-of-view, "The Invisible Man" turns the idea of a "horror movie" on it's head. This film is actually an intriguing, jittery drama that will absolutely leave you on the edge of your seat, elevated by the inventive mind of writer/director, Leigh Whannell and a first-rate performance by Elizabeth Moss.

Tuesday, March 17, 2020

2020 RAZZIE AWARDS


"Cats", the big screen adaption of the beloved stage musical, swept the 40th annual Golden Raspberry Awards or as they are better known as The Razzies, a prize which spotlights the worst achievements in cinema. The musical had tied with " A Madea Family Funeral" and "Rambo: Last Blood" for the most nominations with eight and walked away with six awards including Worst Picture. The Razzies had planed to stream the ceremony live for the first time on March 14th but had to cancel due to the Coronavirus pandemic and announced the winners on March 16th with a press release.

There were two new categories added this year; Worst Reckless Disregard for Human Life and Public Property with "Rambo: Last Blood", Sylvester Stallone's inexplicable fifth installment of the Vietnam War veteran, taking this prize and something actually positive, the Razzie Redeemer Award. This award will honor a prior Razzie-nominated actor who have "redeemed" themselves with an impressive performance in the previous year. Eddie Murphy was the first winner for his remarkable work in the comedy biopic, "Dolemite Is My Name".

Here is the complete list of nominees for the 2020 Annual Razzie Awards. The winners are highlighted:

Worst Picture:

"Cats"
"The Fanatic"
"The Haunting of Sharon Tate"
"A Madea Family Funeral"
"Rambo: Last Blood"

Worst Director:

Fred Durst, "The Fanatic"
James Franco, "Zeroville"
Adrian Grunberg, "Rambo: Last Blood"
Tom Hooper, "Cats" 
Neil Marshall, "Hellboy" (2019)

Worst Screenplay:

Lee Hall and Tom Hooper, "Cats"
Danial Farrands, "The Haunting of Sharon Tate"
Andrew Cosby, "Hellboy"
Tyler Perry, "A Madea Family Funeral"
Matthew Cirulnick and Sylvester Stallone, "Rambo: Last Blood"

Worst Actor:

James Franco, "Zeroville"
David Harbour, "Hellboy"
Matthew McConaughey, "Serenity"
Sylvester Stallone, "Rambo: Last Blood"
John Travolta, "The Fanatic" and "Trading Paint"

Worst Actress:

Hilary Duff, "The Haunting of Sharon Tate"
Anne Hathaway, "The Hustle" and "Serenity"
Francesca Hayward, "Cats"
Tyler Perry (As Medea), "A Madea Family Funeral"
Rebel Wilson, "The Hustle"

Worst Supporting Actress:

Jessica Chastain, "Dark Phoenix"
Cassi Davis, "A Madea Family Funeral"
Judi Dench, "Cats"
Fenessa Pineda, "Rambo: First Blood"
Rebel Wilson, "Cats"

Worst Supporting Actor:

James Corden, "Cats"
Tyler Perry (as “Joe”), "A Madea Family Funeral"
Tyler Perry (as “Uncle Heathrow”), "A Madea Family Funeral
Seth Rogan, "Zeroville"
Bruce Willis, "Glass"

Worst Screen Combo:

Any Two Half-Feline/Half-Human Hairballs in "Cats"
Jason Derulo & His CGI-Neutered “Bulge” in "Cats"
Tyler Perry & Tyler Perry (or Tyler Perry) in "A Madea Family Funeral"
Sylvester Stallone & His Impotent Rage in "Rambo: Last Blood"
John Travolta & Any Screenplay He Accepts

Worst Remake, Rip-Off or Sequel:

"Dark Phoenix"
"Godzilla, King of the Monsters"
"Hellboy"
"A Madea Family Funeral"
"Rambo: Last Blood"

Worst Reckless Disregard for Human Life and Public Property:

"Dragged Across Concrete"
"The Haunting of Sharon Tate"
"Joker"
"Rambo: Last Blood"
"Hellboy"

RAZZIE® Redeemer Award:

Eddie Murphy, "Dolemite Is My Name"
Keanu Reeves, "John Wick 3" and "Toy Story 4"
Adam Sandler, "Uncut Gems"
Jennifer Lopez, "Hustlers"
Will Smith, "Aladdin"

Monday, March 16, 2020

THE BEST 33 MOVIES OVER 3 HOURS LONG


Since the hysteria surrounding the Coronavirus has literally shut down the entire planet with people being told to stay home for their safety, what is a person supposed to do with all of this downtime? One of my favorite past times, going to a movie, has become unavailable to me since Los Angeles county has ordered them to close for two weeks (or possibly longer). That means I will have no choice but to stay in and find something to watch at home. Vulture has done us a favor and have selected some films that will eat up a lot of time as their running length is three hours or more. Many of the movies that were chosen are critically-acclaimed, entertaining classics, so this is the perfect opportunity to relax, let time just slip away as you get lost in these stories and forget (temporarily) about the troubles happening outdoors.

Click below to read the article:

The Best 33 Movies Over 3 Hours Long

Saturday, March 14, 2020

DOWNHILL (2020)

Written by Jesse Armstrong and Nat Faxon & Jim Rash



Directed by Nat Faxon & Jim Rash




Where & When: Arclight Cinemas, Hollywood, CA. February 16, 2020 5:45 PM



"Downhill" is an English-language remake of the Swedish film, "Force Majeure", Ruben Östlund's darkly comedic drama on martial tensions due to a husband's unexpected response during a moment of apparent crisis. Nat Dixon and Jim Rash, the team behind "The Descendants" and "The Way Way Back", have put an American spin on the story and have stars, Will Ferrell and Julia Louis-Dreyfus as the long-time married couple whose relationship becomes seriously fractured during a family vacation. The filmmakers only use the major plot point of the source material then adds their own particular point-of-view to this version. Yet unlike "Force Majeure", the aftermath of the emotional fallout in "Downhill" feels ugly, brutal and you begin to wonder why this unstable couple were together in the first place.

The Staunton family; Billie (Louis-Dreyfus), Pete (Ferrell) and their two teenage boys, Finn (Julian Grey) and Emerson (Ammon Jacob Ford), have arrived at a ski resort in Austria. With Pete's father recently passing away, this is seen as an opportunity for the family to reconnect and spend some quality time together.

After a morning spent skiing, the family decide to have a lovely lunch outside at a restaurant with a beautiful view of the Alps. Following a controlled avalanche that has been set off, a giant wall of snow begins racing down the mountain. Some people start to panic as the avalanche appears to be heading directly towards the chalet. Unable to move in time, Billie just grabs her boys to prepare for the worse. But only a light, snowy mist covers the area. However when it completely clears, Billie sees that Pete had taken off during the ordeal and now has sheepishly returned to the table. At first, Billie is shocked and upset by her husband's behavior but this quickly shifts to anger when Pete refuses to admit that he ran off without much concern for his family.

The approach that "Downhill" takes in dealing with the complications of this emotional betrayal becomes decidedly American; a relentlessly unpleasant battle between the couple on who can be the most smug, entitled and narcissistic. With no real honest conversation between them about how they each feel about the incident, Pete stubbornly sticks to his version-of-events, feeling unjustly bullied by his wife while Billie is left simmering and barely able to contain her righteous outrage. Ferrell and Louis-Dreyfus, who have both proven able to expertly shift from comedy to drama, valiantly try yet are unable to make us feel much empathy for either one in this married couple.

With the characters in "Downhill" slightly more mature than in the original film, this story finds Pete in the middle of a mid-life crisis, enviously watching the social media feed of his younger co-worker, Zach (Zach Woods) who happens to be in Europe at the same time with his hot new girlfriend, Rosie (Zoë Chao) having fun and sexy times. Desperate for a distraction from the tension, Pete unwisely invites the couple to spend an evening with him and his irritated wife. The conversation unavoidably leads to "the incident" with Billie asking them for their opinion after reliving the event. With Pete still insisting he couldn't possibly have run away since he was wearing ski boots, a frustrated Billie actually drags the boys out of their room so they can verify her story, leaving Zach and Rosie (and the audience) stunned in to an awkward, uncomfortable silence.

The script for "Downhill" tries to forge it's own path in creating some edgy humor from callous melodrama. But the movie fails to deliver. The family situations fall flat with low-energy bickering and strained dark comedy. The stakes of this couple's marriage never manages to feel urgent with neither one putting up much of a fight, seeming to be indifferent to the idea of actually trying to save their union.

The only highlight is Miranda Otto as Charlotte, the hotel's concierge, a character that is somewhat developed and delivers the few laughs found in the film. With an unrecognizable European accent, she is an indomitable and brusque force, demanding to be friends with the American couple. After sharing with Billie about her uncomplicated, seasonal open marriage, Charlotte pushes her in the direction of an Italian ski instructor (Giulio Berruti), a Lothario who predictably tries to show her some moves off the slopes.

The scene in "Downhill" that best displays the problem with the couple (and largely the film) is when they decide to go to the ski resort's management to complain about the lack of notification about the controlled avalanches. After the manager (played by Kristofer Hivju, best known for his role as Tormund Giantsbane in "Game of Thrones" and also appeared in "Force Majeure") informs them that there are signs throughout the entire resort, Billie insists she had never seen a single one. Pete timidly begins to admit that he might have seen a sign yet halfheartedly backs up his wife, attempting to blame the resort for it's negligence. The lack of communication between this couple is more sad and hardly amusing while watching the self-righteous display of these ugly Americans was incredibly off-putting to witness.

Wednesday, March 4, 2020

WINNERS OF THE 2020 BERLIN FILM FESTIVAL


The 70th annual Berlin Film Festival has concluded and the Golden Bear for Best Film has gone to "Sheytan vojud nadarad (There Is No Evil)" from Mohammed Rasoulof, an Iranian filmmaker banned from leaving his country due to his political activity there. This drama is made up of four stories involving Iranian soldiers asked to perform executions and the moral dilemma they must face. Rasoulof's daughter, Baran (who also co-stars in the film) accepted the award on her father's behalf. The Silver Bear Grand Jury Prize was awarded to "Never Rarely Sometimes Always", Eliza Hittman's poignant look at a young teenager (Sidney Flanigan) from rural Pennsylvania who faces an unplanned pregnancy and, with the help of her cousin (Talia Ryder), set off to New York for an abortion. This film is scheduled to be released in the U.S. on March 13, 2020.

Here is a partial list of winners of the 2020 Berlin Film Festival:

Golden Bear for Best Film: "Sheytan vojud nadarad (There Is No Evil)"



Silver Bear Grand Jury Prize: "Never Rarely Sometimes Always"
Silver Bear for Best Director: Hong Sang-soo, "Domangchin yeoja (The Woman Who Ran)"
Silver Bear for Best Actress: Paula Beer, "Undine"
Silver Bear for Best Actor: Elio Germano, "Volevo Nascondermi (Hidden Away)"
Silver Bear for Best Screenplay: Damiano D'Innocenzo and Fabio D'Innocenzo, "Favolacce (Bad Tales)"



Silver Bear for Outstanding Artistic Contribution: Jürgen Jürges, "DAU. Natascha"
Silver Bear - 70th Berlinale: "Effacer l’historique (Delete History)"



Golden Bear for Short Film: "T"
Golden Bear for Lifetime Achievement: Helen Mirren
Best First Feature Award: "Nackte Tiere (Naked Animals)"

Tuesday, March 3, 2020

2020 OUTFEST FUSION



The 2020 edition of Outfest Fusion, a Los Angeles cinematic celebration of the QTPOC community, is set this year on March 6th to March 10th and will feature film screenings, performances, panels and workshops. The opening night will feature a selected collection of short films which showcases emerging new film making talent and will be held at the Aratani Theatre at the Japanese American Community Cultural Center.

Some feature films that will be screened include "I Am The Other One", a documentary by Silvia Godinho about the struggles and triumphs of three Brazilian trans men; "Driveways", Andrew Ahn's drama about the life-changing experiences of a young mother (Hong Chau) after she takes her young, sensitive son to spend the summer in a small New York town; Sebastián Muñoz's "The Prince (El Principe)" tells the story set in a Chilean prison with a handsome, young convict entering a world filled with cruelty and clandestine arrangements before becoming the protégé of a fearsome older inmate; and "Breaking Fast", a romantic-comedy from director, Mike Mosallam which looks at a practicing gay Muslim (Haaz Sleiman) whose life is turned upside down after his longtime boyfriend abruptly ends their relationship right before Ramadan.







There will be a legacy screening of "Mosquita y Mari" at Plaza de la Raza. This winner of the Best First Feature Award at Outfest in 2012 from writer/director, Aurora Guerrero follows a blossoming friendship between two Chicana high schoolers in Huntington Park, CA.



And closing night will feature the One Minute Movie premiere screenings and awards, followed by a blow-out finale party.

For the complete list of films, events and to purchase tickets, please click below:

2020 Outfest Fusion