Grand Jury Awards
U.S. Grand Jury Prize: "Signature Move"
U.S. Narrative (Special Mention): "195 Lewis"
U.S. Narrative Jury Prize Best Actor: Luka Kain, "Saturday Church"
U.S. Narrative Jury Prize Best Actress: Ever Mainard, "The Feels"
Best Screenwriting in a U.S. Feature: Eliza Hittman, "Beach Rats"
International Grand Jury Prize: "The Wound"
International (Special Mention): "Body Electric"
Documentary Grand Jury Prize: "Chavela"
Documentary (Special Mention): "Girl Unbound: The War to Be Her"
Best Narrative Short: "Goddess (Devi)"
Best Documentary Short (tie): "Bayard & Me" and "Jeanne Cordova: Butches, Lies & Feminism"
Best Narrative Audience Award: "The Chances"
Audience Award for Best First U.S. Narrative Feature: "A Million Happy Nows"
Best Narrative Short Audience Award: "The Real Thing"
Best Experimental Short Audience Award: "Pussy"
Best Documentary Feature Audience Award: "Chavela"
Best Documentary Short Audience Award: "Little Potato"
Now, here's a few brief reviews of films I caught at the fest. Touko Laaksonen, or as he is better known as "Tom of Finland", is now a national hero in his native country and even received first-class stamps issued in 2014 that feature his hyper-masculine, homoerotic images. That was not always the case for Laaksonen as we learn in the bio-pic from Finnish filmmaker, Dome Karukoski. Pekka Strang stars as Laaksonen who we first see as a solider in WWII. This traumatic event not only haunts him throughout his life but also shapes his sexuality and art. With homosexuality a crime in Finland, he would secretly draw illustrations of physically-enhanced construction workers, lumberjacks and bikers geared towards gay men and sell them underground under the pseudonym, "Tom". His work eventually found it's way around the globe and brought him a certain amount of fame and fortune. Laaksonen efforts to bring a sense of normalcy to his sexuality, at a time when the world told him it was wrong, was challenging and brave yet he wasn't trying to be a heroic. He simply wanted to creatively express himself through eroticism.
"The Pass" stars Russell Tovey and Arinze Kene as two rising star UK footballers who share an intimate encounter in hotel room before an important match that could make-or-break their careers. While Mr. Tovey delivers an impressive performance, this overly talkative drama, based on a play from John Donnelly, never shakes it's theatrical origin. Director Ben A. Williams, adding no cinematic flourishes, seems to have simply just filmed the play, even breaking the movie up literally in three acts.
Jeffrey Schwarz, the director who previously brought us documentaries on important figures in gay history, has delivered his latest with "The Fabulous Allan Carr", which examines the flamboyant producer/agent whose garish tastes brought him fame and infamy in all areas of show business. As an overweight kid growing up in Chicago who loved musicals, Alan Solomon had dreams of somehow making it big in Hollywood. He soon transformed himself in to "Allan Carr" (rhymes with "star") and got his first break as a talent coordinator for Hugh Hefner's local television show, "Playboy's Penthouse". After landing in Los Angeles, Carr began an extreme roller-coaster of a career. He first began a talent agency which he represented a diverse list of stars like Marlo Thomas, Dyan Cannon, composer, Marvin Hamlisch, "Mama" Cass Elliot and Ann-Margaret who was his first big client. This lead to a chance to produce and one of his biggest successes was a film version of the musical, "Grease". Carr's follow-up films, The Village People musical, "Can't Stop The Music" and a sequel to "Grease" had the opposite effect with them being labeled the worst movies of all time. He make a dramatic comeback on the New York stage producing an American musical remake of the French gay farce, "La Cage aux Folles" which won six Tony Awards in 1983 including Best Musical before falling from grace once more producing the infamous 1989 Academy Awards. This is a fascinating profile on a one-of-a-kind showman that doesn't really exist anymore.
Another compelling documentary, "Kevyn Aucoin: Beauty & The Beast in Me" features another person I had almost forgotten about. The late Aucoin, adapted as a baby to a loving family from Louisiana, found great fame as a celebrity make-up artist in the '80's and '90's . Director Lori Kaye, a friend of Aucoin, was able to get her hands on hours of video footage that he shot of behind-the scenes during photo-shoots with the models (Cindy Crawford, Naomi Campbell, Andie MacDowell, Paulina Porizkova) and performers (Tina Turner, Janet Jackson, Gwyneth Paltrow, Liza Minnelli) that he transformed and brought out their natural beauty with his skilled hands. But despite all of his success, he was still haunted by memories of being tormented for being gay by his school peers and the desperate search to find his birth mother.