June is LGBTQ month and usually a time for massive celebration. But with parades and parties cancelled over health concerns, watching cinema can be a nice back-up plan. There have been plenty of films over the years which told moving stories on the difficulties and struggles in coming-out to the world. However there is much more to the gay experience which sometimes can be complicated, messy and dangerous.
Richard Lawson of Vanity Fair has assembled ten movies that focuses on other moments that people in the LGBTQ communities may encounter in their lives. There is also included a listing of all of the sites that are currently streaming each of these titles.
It's only been seventeen years in to the 21st century, so it seems like a perfect time to evaluate the best films so far. Manohla Dargis and A. O. Scott, chief film critics of the New York Times, have taken a look back and selected their picks for the best films so far this century. Their list is certainly interesting with an eclectic selection of cinema with films ranging from Paul Thomas Anderson's 2007 drama, "There Will Be Blood" which sits at the top of the list to "Boyhood", "Inside Out", "The 40 Year Old Virgin", and Best PictureOscar winners, "Million Dollar Baby", "The Hurt Locker" and last year's "Moonlight". I've seen seventeen of the films chosen and while I agree with a large number, I 'm less enamored about a few of the others like "Mad Max: Fury Road" and the Coen Brothers' "Inside Llewyn Davis".
The Times also enlisted six prominent filmmakers; Antoine Fuqua ("The Magnificent Seven"), Sofia Coppola ("The Beguiled"), Paul Feig ("Ghostbusters"), Denis Villeneuve ("Arrival"), Brett Ratner ("Rush Hour") and Alex Gibney ("Going Clear: Scientology and the Prison of Belief") to add their picks of their favorite films from this century.
And finally, I decided I might as well add my two cents. So here is my selection of the twenty-five best films from this century (and they are in alphabetical order since it would be much too difficult to rank them in order of preference):
"20 Feet From Stardom" (2013)
"The Artist" (2011)
"Beasts of the Southern Wild" (2012)
"Boyhood" (2014)
"Bridesmaids" (2011)
"Crouching Tiger, Hidden Dragon" (2000)
"Drive"(2011)
"Elephant" (2003)
“Eternal Sunshine of the Spotless Mind” (2004)
"Ex Machina" (2015)
"I Am Not Your Negro" (2017)
"The Incredibles" (2004)
"Mulholland Dr" (2001)
"Once" (2007)
"Pan’s Labyrinth" (2006)
"The Pianist" (2002)
"Requiem For a Dream" (2000)
"Shame" (2011)
"A Single Man" (2009)
"Talk to Her" (2002)
"Tangerine" (2015)
"There Will Be Blood" (2007)
"United 93" (2006)
"The Wolf of Wall Street" (2013)
"Y Tu Mamá También" (2002)
2015 will certainly be remembered as the year that the box-office tally reached an all-time high with thirty-eight billion dollars earned globally. That's a lot of cash but the fact is that milestone would never have happened if the films released were not up to snuff. There were many amazing and quite memorable films that came out over the past year. It was challenging but I have narrowed down my very favorites of the year. I see no need to limit my list to ten, in fact, I'm glad there was so many good films to choose from:
"STAR WARS: THE FORCE AWAKENS"
There is one simple reason why "Star Wars: The Force Awakens" has quickly become the all-time global box-office champ; because it's good. Really good. After the disappointment of the three prequels, J.J. Abrams was brought on board to send the (apparently) final three films of the series off on the right course. We see the welcome return of our favorite characters (Harrison Ford as Han Solo, Carrie Fisher as Leia and Chewbacca) and introduced to some intriguing new faces (Finn (John Boyega), a former stormtrooper, a scavenger from Jakku named Rey (Daisy Ridley) and a robot called BB-8) while being sent on an exciting new adventure.
"CREED"
Ryan Coogler has done to the "Rocky" franchise exactly what J.J. Abrams did with "Star Wars"; he brought back the heart and soul of the original film with "Creed", the seventh film in the long-running franchise. Michael B. Jordan gives a masterful turn as Adonis Johnson, the illegitimate heir of the late boxing champ, Apollo Creed, who decides to leave his office job and follow in his father's profession as a boxer. He travels to Philadelphia with the goal to train with Rocky Balboa (Sylvester Stallone), his father's boxing rival and friend but he's not interested. Of course Adonis wins him over and soon they are working together to take on the current heavyweight champion. "Creed" took me by surprise as it managed to generate genuine emotions in-between the high-energy training and boxing sequences. And the biggest unexpected moment? That would be Mr. Stallone giving such a warm and moving performance that he actually brought me to tears.
"CAROL"
Lead by two heartfelt performances by Cate Blanchett and Rooney Mara, "Carol" is a powerful and touching love story that is rarely shown on film. With a solid script by Phyllis Nagy and exquisite direction by Todd Haynes, Patricia Highsmith's provocative story of the romance between an upper class housewife (Blanchett) and a department store clerk (Mara) has been made in to a remarkably moving cinematic experience.
"EX MACHINA"
Novelist turned film maker, Alex Garland delivers the stylish sci-fi thriller, "Ex Machina" which poses the question "what does it mean to be human?". A billionaire CEO (Oscar Isaac) of a software company brings in one of his top programmers (Domhnall Gleeson) to test the latest invention. The goal is to see how close to human his female-looking android (Alicia Vikander) behaves. And it's very close which leads to some complicated and dangerous situations. A thoroughly smart and suspenseful entertainment.
"BROOKLYN"
"Brooklyn" tells the timely story of a young Irish girl (an astonishing Saoirse Ronan) immigrating to America to start a new life in the '50's. Living in a boarding house in the New York borough homesick and lonely, she meets a nice Italian boy (Emory Cohen) and they fall in love. A tragedy forces her back to Ireland and torn between the two countries. Director John Crowley, best known for his work in the theater, has made a lovely drama filled with tender romance and tragic heartbreak.
"ROOM"
When I first heard what "Room" was about, the story of a young woman (Brie Lawson) being held captive for years by a sexual predator and raising their five year old son (the amazing Jacob Tremblay) locked in a small room, I thought it would be just too unsettling to watch. While the film (expertly directed by Irish film maker, Lenny Abrahamson) is certainly harrowing, it is also a powerfully rewarding experience. Based on the novel by Emma Donoghue (who also wrote the screenplay), "Room" is a poignant story of love and survival with Lawson and Tremblay each delivering exceptional performances.
"TANGERINE"
"Tangerine"" plays like a classic Hollywood screwball comedy except this involves the unusual tale of transsexual hookers searching for love and respect. Shot on an iPhone by writer/director Sean S. Baker, the film introduces Kitana Kiki Rodriguez and Mya Taylor (both excellent) as best friends and fellow sex workers spending the day in search of a pimp/boyfriend that has done one of them wrong. "Tangerine" manages to be outrageously funny, delightfully deranged and completely original.
"THE DIARY OF A TEENAGE GIRL"
Writer/director Marielle Heller has made an impressive debut with "The Diary of a Teenage Girl", based on the graphic novel by Phoebe Gloeckner. Bel Powley plays Minnie, a fifteen year old aspiring artist living in 1970's San Francisco with her free-spirited mother (Kristen Wiig). After Minnie gets inappropriately close to her mother's sexy boyfriend (Alexander Skarsgård), she sets off on a journey of wild behavior and exploration, all documented on her audio diary. This edgy dramatic comedy is the rare coming-of-age tale told from a female point of view with brutal honesty and uncomfortable humor.
"DOPE"
"Dope"" is another excellent coming-of-age comedy-drama told from another rare point of view; an African-American teen. Writer/director Rick Famuyiwa ("The Wood", "Brown Sugar") tells the story of a 90's hip-hop obsessed Inglewood nerd (Shameik Moore) and his fellow outsider high school buddies (Tony Revolori and Kiersey Clemons) who get in the middle of a rival drug-dealing gang war. What is most appealing about this clever film is that it takes what we expect from a story set in the urban city and moves us in wild and hilariously unexpected directions.
"YOUTH"
I wasn't impressed with Paolo Sorrentino's Oscar-winning Best Foreign-Language Film, "The Great Beauty" but I really loved his follow-up, the English-language film, "Youth". Set in a tranquil Swiss spa, Michael Caine (in a breath-taking performance) stars as Fred Ballinger, a retired English conductor trying to be convinced by the Queen's emissary to conduct the Prince's favorite song (which Ballinger also wrote) for his birthday. He refuses for personal reasons and that is our basic plot. But what happens in between is absurd, thought-provoking, odd, emotional and completely enchanting. We are also treated to some outstanding work by Rachel Weisz, Paul Dano, Harvey Keitel (welcome back) and, in a brief but highly explosive appearance, Jane Fonda.
"AMY", "WHAT HAPPENED MISS SIMONE", "KURT COBAIN: MONTAGE OF HECK", "JANIS: LITTLE GIRL BLUE"
2015 was quite a year for documentaries and in particular, some great non-fiction films on influential musical artists were released. One of the biggest (and highest grossing) docs of the year was "Amy"" which looked at the meteoric rise and tragic fall of pop singer, Amy Winehouse. Netflix was behind director Liz Garbus' fascinating "What Happened, Miss Simone?" which examines the incredibly gifted but highly volatile Nina Simone. "Kurt Cobain: Montage of Heck" was made with the cooperation of Cobain's family (including his widow, Courtney Love) and uses unreleased recordings, artwork, photography and journals to creatively shed more light on the life of the '90's rock icon . Finally, "Janis: Little Girl Blue" is a long overdue documentary on Janis Joplin who, in her very short life, went from an awkward Texan teenager to become one of the most electrifying rock & blues singers in the world.
Honorable Mention: "5 Flights Up", "Ant Man", "The Big Short", "Bridge of Spies", "The End of The Tour", "Infinitely Polar Bear", "Me & Earl & The Dying Girl", "Spotlight", "Steve Jobs"", "Straight Outta Compton", "Trainwreck"", "Truth", "While We're Young"
Where & When: Sundance Sunset Cinemas, West Hollywood, CA. September 4, 2015 9:20PM
"Tangerine" begins quietly on an early Christmas Eve in Los Angeles. Two friends share a celebratory donut after being recently reunited. While catching up, Alexandra (Mya Taylor) lets a secret slip which causes Sin-Dee (Kitana Kiki Rodriguez) to explode in to a major hissy fit, sending her off on a day-long trek, up and down Santa Monica Boulevard, to right this serious wrong. That this involves two transgender prostitutes creates a whole new dynamic, taking us in to a somber but riveting world most people go out of their way to avoid noticing. Director Sean Baker has crafted a playful but moving slice of life on the rough, seedy streets of East Hollywood, an area well-known for working girls with something extra.
The secret revealed is that while Sin-Dee was in jail for almost thirty days, Chester (James Ransone), her pimp/boyfriend, has been hooking up with a "fish" or in non-slang language, a real woman. Angry and hurt, Sin-Dee is going to hunt down Chester to demand an explanation for this betrayal. And that's the basic plot of our film. But what brings this micro-budgeted indie to life is the wild antics and sassy attitude of our leading ladies along with the colorful characters we meet during this comically strange journey.
With her dream of performing on stage happening later that evening at a West Hollywood club, Alexandra is willing to go with Sin-Dee but doesn't want to get involved with any drama. Sin-Dee promises but it's short-lived. As the day progresses and pinning Chester down grows more complicated, the angry hooker redirects her rage at Dinah (Mickey O'Hagan), the woman involved. Located at a rundown motel, turning tricks out a room, Sin-Dee drags Dinah out, forcing her to go with her to find their pimp to finally settle this matter.
There's a subplot involving Razmik (Karren Karagulian), an Armenian taxi driver. He has a taste for this type of Hollywood lady of the streets with a soft spot (or hard, if you want to go there) in particular for Sin-Dee. Informed by Alexandra that she's back and will be at her show, Razmik is desperate to see her, willing to escape the middle of a family holiday gathering for the chance. This proves not to be a wise move, unraveling into a madcap, messy finale.
Much like Mr. Baker's last film, the underrated, "Starlet" about the unlikely friendship between a young porn star (Dree Hemingway) and an elderly woman (the late Besedka Johnson), "Tangerine" focuses on the fierce, tight bond between Alexandra and Sin-Dee, trying to hold each other up as they search for love and respect, which comes in short supply with their line of work. Ms Taylor and Ms Rodriguez, two non-professional actors Mr. Baker found at the LGBT Center in Hollywood, bring a sense of realism to their roles but also deliver fine, comedic performances.
"Tangerine", which premiered and received plenty of attention at this year's Sundance Film Festival, is most notable for being filmed entirely with an Iphone 5S (three to be exact) and may be the first feature released theatrically in this format. My honest, initial reactions to hearing this was horror, then skepticism to finally feeling that this was the beginning of the apocalypse of movies. Perhaps a little dramatic but I have a genuine concern about technology shrinking the scope of cinema to fit ever shrinking devices. After seeing the results, I must admit the film looks really good. There is nothing about the images here that feels small or slight. With Baker and Radium Cheung behind the phones, they manage to capture a frenzied energy that pops off the big screen. The shimmering light from the California sun creates a harsh, saturated look that's quite effective.
"Tangerine" is hysterically fun, emotionally raw and delightfully insane. While the sight and sound of shrieking trans hookers may not be everyone's idea of entertainment, the film creates a hilarious, must-see experience during which you are taken on this street-wise, screwball trip inside their domain.
