2026 VENICE FILM FESTIVAL

The Venice International Film Festival, with the eighty-third annual edition to be held from September 2nd to 12th, will help introduce the latest in world cinema and kick-off the fall movie season. The Opening Night film selected is "Ink", the latest from the Oscar-winning British filmmaker, Danny Boyle. Based on James Graham's acclaimed 2017 play, the film examines how Australian businessman, Rupert Murdoch (Guy Pearce) lures the editor of the popular, The Daily Mail newspaper, Larry Lamb (Jack O’Connell) to oversee his newly acquired British daily, The Sun. To gain attention for the struggling paper, they decide to put anything in the paper, regardless of how extreme or titillating, to help them rise above the competettion, helping to create tabloid culture.

Maggie Gyllenhaal, the American actress and filmmaker, will serve as this year's Jury President to select the winners of the Main Competition awards along with fellow jurors: Tunisian filmmaker, Kaouther Ben Hania, British musician, Daniel Blumberg, Italian-American film theorist, Francesco Casetti, French filmmaker, Xavier Giannoli, Afghan filmmaker, Shahrbanoo Sadat and Hong Kong filmmaker, Johnnie To. Gyllenhaal will also premiere the short film she wrote and directed, "Flesh Impact", that features Ellen Burstyn (who is also this year's recipient of the Golden Lion for Lifetime Achievement) and Dakota Johnson which will pay tribute to Hollywood legend, Marilyn Monroe (who would have celebrated her 100th birthday this year) during the festival.

With the films selected for competition this year, what is most notable is the almost complete absence of Hollywood studio films present in the lineup, much like at Cannes a few months ago. In addition to Boyle's "Ink", other filmmakers who will be up for prizes include new works from Werner Herzog ("Bucking Fastard"), Lance Oppenheim ("Primetime"), Cedric Kahn ("A Place To Heal"), Lee Chang-dong ("가능한 사랑 (Possible Love)"), Nanni Moretti ("Succederà questa notte (It Will Happen Tonight)"), Martin McDonagh ("Wild Horse Nine"), Hirokazu Kore-eda ("ルックバック (Look Back)", Stéphane Brizé ("Un bon petit soldat (Good Little Soldier)"), Florian Zeller ("Bunker") and Casey Affleck ("Company").









The Closing Night film will be "Dio Ride (God Laughs)", a comedy from writer/director, Giovanni Veronesi. In seventeenth century Tuscany, a friar (Pierfrancesco Favino) engages the masses about God by making them laugh. But this attitude begins to attract the hostility of the Church.

The Glory to the Filmmaker Award, a honorary prize given to artists who have made a significant contribution to contemporary world cinema, will be presented to Italian filmmaker, Luca Guadagnino. His latest feature, "Joie de vivre", an over 7 hours long documentary (that will be screened into two parts) about the life, art, and cinema of Bernardo Bertolucci, will make its premiere at the fest. And George Clooney will also receive the Golden Lion for Lifetime Achievement this year.

THE 100 MOST POWERFUL DIRECTORS

What makes a filmmaker powerful in Hollywood? Is it strictly box-office or does critical acclaim and awards factor more heavily into it? Nate Jones with Vulture consulted with various agents, executives, producers, and publicists to help decide what it takes to achieve success and influence as a film director working today.

This was considered by using their body of work, bankability, creative control and reputation to help determine not only which directors would make the cut but also where they would happen to fall in this ranking. Streaming has certainly changed the game for directors working at this time and not a completely accurate way to help assess their power in the industry. So their achievements theatrically played a more important determination in making the list while not discounting any streaming projects entirely.

Please click below to read the selections:

Vulture: The 100 Most Powerful Directors in Hollywood

ONE NIGHT ONLY (2026)

Written by Travis Braun

Directed by Will Gluck

Where & When: TCL Chinese Theatres, Hollywood, CA. August 12, 2026 4:55 PM

When I heard about the plot for "One Night Only" which involves two single people trying to make a love connection during a time when premarital sex is outlawed in the United States except for one twelve-hour exemption period each year, I found the idea a bit preposterous. Yet surprisingly this high concept rom-com from director, Will Gluck manages to find a way to be delightfully funny and charming, thanks in large part to the clever script from Travis Braun. And while there are some moments that still remain hard to swallow, our leads, Monica Barbaro and Callum Turner are able to uplift the film even further with their irresistible chemistry and magnetic star quality.

Owen (Turner), who owns a pizza shop, is looking forward to spending the exemption night with his longtime, live-in girlfriend, Malika (Maya Hawke) and planned on proposing to her. However, during dinner, Malika informs her boyfriend that she plans to have sex with a neighbor in their building this evening, feeling they should both have an experience with someone else. Disappointed and deciding to put an end to their relationship, Owen presides to find a hook-up for the night.

Meanwhile, Allie (Barbaro) is a jingle singer with a specialty in songs for pharmaceuticals. This year she plans to go out with her friend, Jacinta (pop singer, King Princess) so they can try to meet men of substance together. But Jacinta quickly meets a guy at the bar, running off with him and leaving Allie to go through the night solo.

Owen and Allie literally bump into each other on the street, briefly flirting before he throws up (bad sushi from dinner) and she quickly moves on. We then follow them as Allie goes through a series of oddball men she meets at a bar before connecting with a sexy piano player (Andrew Burnap). Owen finds sympathy from a hot bartender (Julia Fox) who is willing to have sex with him after her shift. But condoms are required and have become a rare commodity on this particular night. Owen and Allie run into each other again when they are fighting over purchasing the last rubber in town.

As the story continues on, Owen and Allie each go through even more problematic and humiliating situations while trying yet failing to achieve a sexual connection, all the while continuing to run into each other through various intervals over the evening and becoming closer with each encounter.

The script of "One Night Only" gained attraction when it was placed on the Black List in 2024, an annual collection of the "most-liked" motion picture screenplays not yet produced. Braun (who became the first writer to make the list consecutively with his script, "Bad Boy" appearing in 2023) has a history creating programing for the Disney Channel and his time there may have helped inspire the broad concept for this movie. Braun's amusing screenplay might explain how the country ended up with this crazy law and the exact rules that apply (bio-sensor chips implanted in single people's arms to keep their libido on lock with gay people exempt from this sexual control) yet the overall silly plot still remains highly improbable.

Gluck, fresh off his surprise hit rom-com, "Anyone but You" that helped give rising stars, Sydney Sweeney and Glen Powell a boost on the big screen, puts his spin on Braun's story, managing to keep the energy fast-paced and playful. But it's his compelling cast that really makes "One Night Only" worth watching. Barbaro, who made many supporting appearances in television and film before her Oscar-nominated breakthrough playing Joan Baez in the Bob Dylan-biopic, "A Complete Unknown", has a lovely, easy charm and well matched with the British actor, Turner who lays on his New York accent pretty thick but it's not too distracting. And there are plenty of high-profile actors who make supporting or cameo appearances that includes Molly Ringwald as Owen's mother and LeVar Burton as her boyfriend along with Mike Birbiglia, Nicholas Braun, Pete Davidson, Bobby Cannavale, Este Haim and Ziwe popping up throughout the movie.

It's unclear to me if Gluck was intentionally trying to make a statement regarding sexual politics on how the women prepared for the evening with the ladies parading around town in lingerie, incredibly short skirts and their breasts barely concealed while the men simply show up dressed for the night like--well, men, not putting too much thought into their appearance. I suppose under these dire circumstances, people would not feel like wasting too much time as the basic primal urges would resort back to the prehistoric rules of attraction.

In this current political climate, the idea that the American government would radically try to control what people decide to do with their bodies is sadly not all that farfetched. Despite the hyperbolic premise, "One Night Only" still manages to draw you in with breezy comedic set-ups, appealing characters and some actual heartfelt emotions. Lately, most of the recent rom-coms are sorely lacking in any type of inventive spirit and adventurous style. "One Night Only" is a pleasant reminder of the simple pleasures a solid romantic comedy can actually create when there is some sort of effort made to engage viewers.

I WANT YOUR SEX (2026)

Written by Karley Sciortino and Gregg Araki



Directed by Gregg Araki



Where & When: AMC The Americana at Brand 18, Glendale, CA. July 31, 2026 4:30 PM



After he completed college with studies in cinematic arts, LA native, Gregg Araki was ready to tackle a career as a filmmaker. Pulling together about five thousand dollars, Araki made his feature film debut in 1987, "Three Bewildered People in the Night", a black & white drama involving a straight couple and their gay, male friend. Winning a Critics' Prize at the Locarno International Film Festival for this film, Araki collected some more money to make his next low-budget feature two years later, "The Long Weekend (O' Despair)" which featured a gay, lesbian and straight couple all spending a weekend together, winning an award from the LA Film Critics Association.

Araki's next movie would arrive in 1992 with a slightly larger budget and a premiere at the Sundance Film Festival. Lazily described by some as a "gay Thelma & Louise", "The Living End" is a road-trip adventure involving two HIV-positive male lovers on the run after stealing and leaving a trail of dead bodies. Boldly political, disturbingly violent and driven by a post-punk soundtrack, "The Living End" became a critical and box-office success while also one of the early films that helped spark the New Queer Cinema movement which had included other provocative films by Todd Haynes, Isaac Julien and Derek Jarman. Araki would go on to make more, challenging cinema like his Teenage Apocalypse trilogy: "Totally F***ed Up", "The Doom Generation" and "Nowhere", "Mysterious Skin" and the stoner comedy, "Smiley Face". But following "White Bird in a Blizzard", his little seen 2014 adaptation of Laura Kasischke's novel that featured an all-star cast, Araki has been missing from movie screens.

That has now been rectified with Araki's return to the big screen with "I Want Your Sex", a colorfully stimulating, sex comedy that sees the director back in fine form. There's some BDSM kink tossed in along with erotic thrills, queer undertones and a possible murder which together creates an intriguingly twisted, dark edged farce.

When we first meet Elliott (Cooper Hoffman), bloodied and wearing lingerie, he sees a naked female body face down in a pool. This is his boss, Erika Tracy (Olivia Wilde), a provocative visual artist and we are taken back several months ago when Elliott first went in to apply for a job as one of her studio assistants who help assemble her sexually charged art. Unfocused and a bit disheveled, he doesn't really seem like a good fit for this position yet Erika seems intrigued and hires Elliott on the spot.

But she has more nefarious plans for the young Elliott that is not exactly work related. After inquiring if he has a girlfriend (which he does, played by pop star, Charli XCX, who is far more interested in studying than having sex with him), Erika promptly initiates a purely sexual relationship with him. Hesitant at first, Elliott soon gives in to his urges but he discovers that Erika has something more extreme in mind. She enjoys being dominant during their erotic encounters and guides Elliott into a deeply submissive position, pushing him to do things he never would have imagined.

Never motivated by commercial appeal or the potential of huge box-office, Araki hasn't changed much since his early days of guerilla filmmaking, continuing to make scrappy movies on his terms that are queer in spirit and style. He was inspired to make "I Want Your Sex" (working on the script with Karley Sciortino for about a decade) after learning that Gen Z was having less sex than previous generations. Shocked by this news, Araki set about to create this film less to be critical but more to provoke conversation about this subject. As Erika says to Elliott, "Making a mistake is what being young is all about.", encouraging him to enjoy his youth by having bad love affairs, getting sloppy drunk or just being reckless. And trust me, there will be plenty of time later in life to be safe and cautious.

Much like his father, the late Philip Seymour Hoffman, the twenty-three year old Hoffman displays an easy, natural screen presence with a performance filled with charm, nuance and depth. Since his debut as the lead in family friend, Paul Thomas Anderson's "Licorice Pizza", Hoffman has been giving nepo babies a good name while revealing the potential to have an promising career ahead of him.

Wilde is having a particularly good year. After the letdown of "Don't Worry, Darling", her second feature as a director, she recently received glowing raves for her direction and performance in the comedy-drama, "The Invite" and will appear as an actor in Tony Gilroy's upcoming drama, "Behemoth!" that will reach theaters in December. As Erika, Wilde is fearless, unconcerned about being likeable or appealing while perfectly capturing the wild, narcissistic nature of this overindulgent artist.

The rest of the impressive cast includes Chase Sui Wonders as Apple, Elliott's platonic roommate, getting drawn into the kinky games when Erika demands that he quickly find a third for a three-way. Daveed Diggs appears as the harried business manager who gracelessly informs Elliott, frustrated by his interruption of the work flow, that he's hardly the first of Erika's assistants she has spent time with after hours. Mason Gooding delivers the sass as Zap, Elliott's gay co-worker and Johnny Knoxville and Margaret Cho show-up, playing against type, as the hard-nosed detectives trying to get answers from Elliott on his relationship to Erica and what could have happened to her.

Kinky and uninhibited, "I Want Your Sex" might be power driven by unconventional carnal desires yet doesn't really have much of a honest erotic charge. And while the mystery at the heart of the film winds up being a bit too tidy and improbable to be satisfying, Araki is still able to keep his depraved version of a rom-com a hilariously enjoyable watch.

COMING SOON

If you take a look at the picture above, that is Tom Cruise. Yes, the same handsome, big screen action superstar who you know and love from the "Top Gun" and "Mission: Impossible" movies. And he appears ready to challenge himself once again as an actor in the upcoming black comedy, "Digger" which he teams up with Oscar-winning filmmaker, Alejandro G. Iñárritu.

Cruise plays Digger Rockwell, a wealthy oil tycoon, who wants to be viewed as the savior for humanity before an impending disaster that he's responsible for causing destroys the entire planet. With echoes of Stanley Kubrick's wild political satire, "Dr. Strangelove", "Digger" looks like the perfect showcase to remind audiences that he is quite capable as a character actor in a comedic role. Cruise is surrounded by an impressive cast that includes John Goodman, Riz Ahmed, Michael Stuhlbarg, Jesse Plemons and Sandra Hüller.

"Digger" is due in US theaters on October 2, 2026

MADDIE'S SECRET (2026)

Written & Directed by John Early



Where & When: Landmark Theatres Sunset, West Hollywood, CA. July 14, 2026 4:20 PM



"Maddie's Secret" tells the story of a woman living in Los Angeles who seems to have a good life: a loving husband, a close friend and contentment at her job. But Maddie secretly dreams of becoming a professional chef. An opportunity comes her way but the pressures from this success reopens the door to an even darker secret that she had been suppressing, creating chaos and despair for Maddie and her loved ones. 

Loosely inspired by a 1980's television-movie-of-the-week, writer and director, John Early has put an amusing queercentric spin on this melodramatic parody for his feature film debut. Early also plays Maddie as an actual woman in the film: not trans or non-binary. Make of this what you will but I believe he took on this role less as a political statement and more about an opportunity to play a fascinating character.

Maddie (Early) and her best friend, Deena (Kate Berlant) work as dishwashers for Gourmaybe, a video test kitchen program. And while the haughty Emily (Claudia O'Doherty) might be the star of the show, Maddie would love to have a chance to be in front of the camera as a cook. After Maddie's husband, Jake (Eric Rahill) films his wife preparing one of her best vegetarian meals, he posts the clip online despite her protests. The next day, the video blows up, going viral and her crass boss, Zack (Conner O'Malley) quickly makes her an on-camera personality on the program.

Maddie achieves much of the success and popularity that she's ever wanted yet this also creates new problems for her. Cruel comments from viewers about her weight triggers the bulimia she once had under control. Maddie starts to act manically, pushing herself hard in dance classes while purging all of the food she does consume. After her husband catches her retching into a toilet, she tells him she's pregnant and Jake is thrilled since he has been wanting to start a family for sometime. And Deena starts feeling neglected by her friend with Maddie fearful in confiding to her what's actually going on.

Early has been working as an actor, stand-up and sketch comedy performer for a number of years, participating in several sketch programs and created content with Berlant. He had his own HBO musical-comedy special, "John Early: Now More Than Ever" in 2023 and released a studio album with songs from the program. With his feature film directorial debut, Early brilliantly takes on those earnest dramas that had an important message, one that is told through wacky hysteria and overheated emotions.

As Maddie, the actor dives all the way in, expressively capturing all of the fears and trauma of this tortured woman in a wild and darkly hilarious performance. After a cardiac health crisis, Maddie's eating disorder is discovered and she's checked into an inpatient treatment program. During a session with a doctor and her overbearing mother, Beverlee (played by the comedy great, Kristen Johnston), Maddie confronts her parent about how she was treated about her weight since she was a small child, revealing how she's the root cause of her complicated relationship with food.

With an open-ended conclusion and a classic freeze-frame on the face of a triumphant Maddie, "Maddie's Secret" has taken us on an amusing, emotional adventure, handling a health disorder with outrageously dark humor yet still finding some room for thoughtful candor. Early has admitted he was greatly influenced by a variety of offbeat cinema that includes the singular works by John Waters and Paul Verhoeven to create this film. Yet he stands tall with his own sense of stylish, eccentric comedy, proving to be a modern craftsman of deranged camp. Following the hilarious, "Maddie's Secret", I'm definitely looking forward to seeing what else Early has in store for us on the big screen, hopefully in the very near future.

SAM NEILL (1947 - 2026)

Sam Neill, the charismatic character actor turned movie star, has sadly passed away on July 13th. The New Zealand actor had been struggling with stage 3 T-cell lymphoma over the last three years but he had recently revealed that the chemotherapy was no longer working. Neill died from pneumonia in Sydney, Australia at the age of seventy-eight.

Neill began his professional career on the stage in the 1969 production of "Marat/Sade" in Wellington, New Zealand. He would find work in several television and film productions with a standout performance in the New Zealand feature, "Sleeping Dogs" in 1977. After moving to Australia, Neill would appear on the popular television drama, "The Sullivans" and a co-starring role in Gillian Armstrong's 1979 feature, "My Brilliant Career" with Judy Davis, which achieved international acclaim. This helped Neill land roles in the third "The Omen" film, "The Final Conflict" and "Possession", Andrzej Żuławski's psychological horror drama with Isabelle Adjani that has since gone on to become a cult classic.

"Dead Calm", the psychological thriller set in Australia, would be a major breakthrough for Neill as well as for co-star, Nicole Kidman and director, Phillip Noyce. This helped Neill be viewed as a leading man and would go on to star in "A Cry in the Dark (Evil Angels)", "The Hunt for Red October", "Jurassic Park", "Sirens", "Event Horizon", "In the Mouth of Madness", "Hunt for the Wilderpeople" and "The Piano", the Oscar-winning film from Jane Campion.

He was born Nigel John Dermot Neill on September 14th in Omagh, County Tyrone, Northern Ireland, to an English mother and a New Zealand father. When he was five, the family relocated to New Zealand and settled in the Christchurch suburb of Cashmere. As a child, Neill had a stammer but would outgrown this condition. He began calling himself "Sam" because there were several other boys named "Nigel" in grade school.

It had been said that Neill had been one of the leading contenders to succeed Roger Moore as James Bond, but the role would ultimately go to Timothy Dalton. He would reprise his role of Dr. Alan Grant in "Jurassic Park III" and for the final time in "Jurassic World Dominion" in 2022. He wrote a Memoir, "Did I Ever Tell You This?" which was published in 2023.