Showing posts with label Gone Girl Trailer. Show all posts
Showing posts with label Gone Girl Trailer. Show all posts

Friday, January 9, 2015

MY FAVORITE FILMS OF 2014

This previous year in cinema didn't seem like it would turn out to be very promising. The 2014 release slate started off fairly sluggishly and the summer offerings pretty much failed to generate much excitement. By the time September rolled around, there was a vast improvement as we received a steady stream of interesting films with true depth and quality through the holiday season. No surprise that the majority of films found on my round-up of favorites appeared in theaters over the last five months. As always, my list is not in any order of preference nor limited to any particular quantity:

"BOYHOOD"

One of the most unique and magical cinematic experiences I have ever encountered. "Boyhood" follows six year old, Mason Jr. (played by Ellar Coltrane) as he literately ages over the course of the story, evolving from a precocious child to a complicated teen on the verge of becoming a young man. Writer/director, Richard Linklater shot this project over a week for the last twelve years in his hometown of Houston. There were so many ways this could have gone wrong but the film successfully captures the simple and ordinary events in this boy's life that will ultimately help shape and define him as he moves in to adulthood. "Boyhood" also features amazing performances from Lorelei Linklater (the director's daughter) as Mason's older sister, Patricia Arquette as Olivia, their divorced mother struggling to make a better life for her children while wanting to improve her own and Ethan Hawke as Mason, Sr. their loving father who really wants to spend more time with his kids yet has far too many distractions. This film feels truly authentic, very much like a documentary. I don't think it's any kind of an overstatement to proclaim that "Boyhood" is a absolute masterpiece. I was surprised how deeply moved I was by the film, in ways I never expected.

"GUARDIANS OF THE GALAXY"

I have to admit when I first saw the trailer for "Guardians of The Galaxy", I wasn't overly enthusiastic. However, after seeing the actual film, I absolutely loved it. Based on an obscure Marvel comic book,  Peter Quill (Chris Pratt) was kidnapped from Earth as boy and raised by space pirates. Now, a scavenger himself, Quill steals an powerful orb which sends Gamora (Zoe Saldana), a sexy green assassin and two bounty hunters, Rocket, a foul-mouthed, talking raccoon with his tree-like humanoid partner, Groot hot on his trail. After they all end up in prison together, this motley crew reluctantly decide to work as a team (with the addition of WWE wrestler, Dave Bautista as Drax the Destroyer) to escape and discover the true secret of this orb. What actually made this super-hero flick so much fun is that it followed none of the rules we've come to expect from these movies.



"GONE GIRL"

What made the mystery-thriller,"Gone Girl" so good is that it went well beyond all expectations. Gillian Flynn managed to craft a compelling screenplay based on her novel despite the fact that millions of readers were quite familiar with the story. David Fincher, a director well-versed in the making of dark thrillers, surprises with moments of romance, light humor and pure camp in between the twisted drama and bloodshed. Finally, Ben Affleck and Rosamund Pike headline a very unexpected cast that includes Carrie Coon, Kim Dickens, Missi Pyle, Neil Patrick Harris and Tyler Perry who all astonish with richly textured performances.

"WHIPLASH"

"Whiplash", an electrifying drama from writer/director, Damien Chazelle, looks at the turbulent relationship between a young, aspiring jazz drummer (Miles Teller) and his intensely abusive instructor ( J.K. Simmons) who strongly believes you must be pushed in order to be great. We witness the brutally long hours of rehearsals and the other extreme sacrifices that are made while striving to be the very best yet sometimes that's still not enough. "Whiplash" thrills with a throbbing, dangerous beat while the vibrant work of Teller and Simmons helps to elevate this feature even further.



"LIFE ITSELF"

Steve James was in the middle of shooting the documentary, "Life Itself" on the Pulitzer-Prize winning film critic, Roger Ebert when the legendary subject passed away suddenly after his lengthy battle with cancer. With the encouragement of Ebert's widow, James (whose 1994 doc, "Hoop Dreams" was championed by Ebert) completed the project and thank goodness he did. This fascinating film looks back at the beginning of Ebert's career (including his time as the writer of the B-movie, "Beyond the Valley of the Dolls") while interviewing him over his final months. It also examines his loving but highly competitive relationship with fellow critic, the late Gene Siskel during their run together on the hit television show, "At The Movies" and talks to several filmmakers who admired his tough but fair reviews including Werner Herzog, Errol Morris and Martin Scorsese. "Life Itself" covers what we already knew about Roger Ebert; his deep love affair with cinema but we also learn he had an even bigger passion and that was with the woman he's credited for saving his life, his devoted wife, Chaz Ebert.



"BIRDMAN"

Michael Keaton makes a very welcome comeback with Birdman or (The Unexpected Virtue of Ignorance)" (click on title to read review). The actor delivers a masterful turn as an unraveling, former movie-star in search of a comeback and seems to have found it with a Broadway show he's put together. However, nothing is working as planned with temperamental actors (Edward Norton, Naomi Watts), a very concerned business partner (Zach Galifianakis), his fresh out-of-rehab daughter (Emma Stone), a theater critic (Lindsay Duncan) determined to close the show and his screen alter-ego, the super-hero, Birdman complicating his goal. Alejandro González Iñárritu ("21 Grams", "Babel") is a true visionary who is able to weave timeless themes into this wonderfully strange film that makes it equally accessible and daring.

"FORCE MAJEURE"

In "Force Majeure", what started as an idyllic family vacation turns in to a psychological nightmare. Tomas (Johannes Kuhnke) , a workaholic businessman decides to go on a week-long skiing trip with his wife (Lisa Loven Kongsli) and their two children. During lunch, a controlled avalanche comes uncomfortably close which causes Tomas to flee but without his wife or kids. This doesn't sit well with the Mrs. especially since he denies even doing it. This delightfully dark Swedish comedy from writer/director, Ruben Östlund won a Jury Prize at last year's Cannes Film Festival and landed on the short list of the Best Foreign-Language Film selections in consideration for this year's Academy Awards.



"THE THEORY OF EVERYTHING"

"The Theory of Everything" is the inspirational fact-based account of the early life of theoretical physicist, Stephen Hawking that features a star-making performance by Eddie Redmayne. While a promising student at Cambridge, Hawking meets Jane Wilde (Felicity Jones) and they fall in love. During this time, he's diagnosed with ALS and only given a couple of years to live. Jane decides to marry Stephen but completely unprepared for how challenging their life together would become. However, as Hawking's motor skills deteriorate, this doesn't slow down his brilliant mind. This is a remarkable love story and moving portrait of an incredible spirit that cannot be broken.



"DEAR WHITE PEOPLE", "TOP FIVE"

In 2013, we saw several high-profile, historical dramas involving African-Americans that won critical praise and big box-office. This year, we had a couple of strong films that focuses on African-Americans in very funny, contemporary comedies.

Dear White People" (click on title to read review) is the terrific first feature from Justin Simien that bravely takes a comic look at a highly uncomfortable subject; race relations. Tensions were already high at this ivy league campus but once word gets out that white students are throwing an "African-American" themed party, the situation turns explosive.

Chris Rock stars, wrote and directed "Top Five" and I think it's his funniest movie ever. The comedian has taken a page from Woody Allen and appears in this semi-autobiographical story about a popular comedy star that no longer wants to make funny films while being hounded by an attractive reporter (Rosario Dawson) who wants an interview to find out why. Rock has surrounded himself here with some of the best comedians in the biz and they all support him by delivering wildly hysterical performances.



"ONLY LOVERS LEFT ALIVE", "A GIRL WALKS HOME ALONE AT NIGHT"

I would say that there doesn't seem to be any reason to bring to the screen another movie about overexposed vampires. However, what I failed to realize is that, in the right hands, a new film (or two) about those blood-suckers could actually be quite entertaining.

Jim Jarmusch was already off to a perfect start by casting Tom Hiddleston and the magnificent, Tilda Swinton as an undead couple in his moody work, "Only Lovers Left Alive". (click on title to read review). Together for centuries but currently living apart, Adam (Hiddleston) has become weary and suicidal. Eve (Swinton), sensing his distress, leaves Morocco for the Motor City to be with her lover. Much like those popular films involving teen vampires, the focus here is less on blood and more on romance but "Only Lovers Left Alive" is far more alive and captivating. These mature vamps are effortlessly cool, enjoying the simple pleasures of listening to music and cruising down deserted streets at night.

"A Girl Walks Home Alone At Night", this black & white debut feature from Ana Lily Amirpour, is a surreal romance that has more on it's mind than vampires in love. Gender politics and bloody violence are also to be found in this story set in a decaying Iranian town where a girl (Sheila Vand) arrives to feed on the corrupt citizens while falling for a handsome local (Arash Marandi). This is a stylish visual delight and triumphant showcase from a bold new filmmaker.



Honorable Mention: "Beyond The Lights", "The Drop", "Finding Vivian Maier", "Ida", "The Imitation Game", "Into The Woods", "Land Ho!", "Love Is Strange", "Nightcrawler", "Nymphomaniac; Volume I & II",  "Snowpiercer"









Wednesday, October 15, 2014

GONE GIRL (2014)

Written by Gillian Flynn


Directed by David Fincher


Where & When: Arclight Cinemas, Hollywood, CA October 6, 2014 5:35PM



I think "Gone Girl" is the first film I've ever seen that begins as a tense, foreboding mystery and as the story unfolds, evolves in to an outrageously deranged satire. But in the masterful hands of David Fincher, this transformation is seamless and absolutely perfect. Based on the mega best-selling book by Gillian Flynn, the director audaciously examines the explosive sexual politics of marriage, especially in these modern times where the role of women is constantly in flux between their traditional position and a more complicated, liberated role in the relationship. "Gone Girl" also takes a look at our preconceived ideas on guilt and innocence and how the media now has the power to shape these opinions.

On the morning of his fifth anniversary to his lovely wife, Amy (Rosamund Pike), Nick Dunne (Ben Affleck) begins the day very low-key by visiting the under performing bar he owns with his twin sister, Margo (Carrie Coon). When he returns home, something seems strangely amiss. The door has been left open and the furniture in the living room is shattered yet Nick doesn't appear overly concerned. He calls the police and Detective Boney (Kim Dickens) and Officer Gilpin (Patrick Fugit) arrive to investigate. With a coffee cup never leaving her hand, the detective goes through the house, marking suspicious areas with yellow post-its, and peppering the missing woman's husband with a barrage of questions.

Days go by, a search party is formed and Amy's parents (David Clennon and Lisa Banes) go in front of the cameras to beg for their daughter's safe return. Nick, at the press conference, comes across as passive and oddly detached. Once television crime evangelist, Ellen Abbott (Missi Pyle doing a spot-on Nancy Grace type) goes in front of her large-scale audience and proclaims Nick must be guilty due to his strange behavior, he soon becomes the only logical suspect. But is he actually responsible for his wife's disappearance? If you have read "Gone Girl", then you know exactly how guilty Nick Dunne actually is. If not (like myself), then you will be able to savor all of the surprising twists and turns without any expectations. Nothing in this apparent crime, nor the couple's marriage, is what it appears to be on the surface. Through a series of flashbacks, we learn more about Nick and Amy from their early courtship to the more challenging marital times when Nick loses his job as writer and the couple having to move from New York to a small town in Missouri to care for his ailing mother.

Ms Flynn, a one-time film critic for my favorite magazine about entertainment, "Entertainment Weekly", was incredibly lucky to get the unusually rare opportunity to have a hand on the screenplay for the film, creating a solid adaptation of her work. The author was also fortunate enough to have arguably one of the best film makers working today to be involved on the project. With a history of tackling stories that explores the darker side of human relationships which includes "Fight Club", "Zodiac" and "The Social Network", Fincher is in his element and brings his somber visual flair to these proceedings. The director receives invaluable help from his long-time crew who all have been recognized numerous times by the Academy for their work with him. This includes cinematographer, Jeff Cronenweth, editor, Kirk Baxter and the eerie musical score by Trent Reznor and Atticus Ross.

Affleck has become a well-regarded director with the films, "Gone Baby Gone", "The Town" and the 2012 Best Picture, "Argo". But as an actor, he's been adequate yet has never delivered a performance that has been particularly noteworthy. That is now in the past as the Oscar-winner gives an impressive full-bodied performance that is sly, edgy and unpredictable. As more evidence piles up against his character, he makes you begin to doubt his involvement yet still never seeming to be completely guilt-free.

Reese Witherspoon is a producer of the film and flirted with the idea of playing Amy. While she may have been perfectly fine in the role, Fincher had another thought and that's when Pike enters the picture. The British actress has been around for a while, making supporting appearances in films such as "Die Another Day" and  "An Education" that were solid yet made a minimal impression. Clearly the director saw something in her and his instincts have paid off. Much like Glenn Close in "Fatal Attraction", Pike's fearless performance in "Gone Girl" will completely alter her career. She brilliantly plays a mesmerizing woman caught between struggling to be the good wife and wanting no part of that role. To simply state that Pike displays an insane range of emotions would be a true understatement.

The supporting players are uniformly excellent with surprising nice turns from actors far better known for their comedic roles, Tyler Perry as Nick's lawyer and Neil Patrick Harris perfectly creepy as Amy's old flame but special mention must be made about Dickens and Coon. These actresses have made their mark previously on television (both on popular HBO shows; Dickens on "Deadwood" and "Treme". Coon in the recent hit, "The Leftovers") and the stage (Coon was a Tony nominee for the recent revival of "Who's Afraid of Virginia Wolfe") but their juicy roles here give them a shining opportunity to play a strong, fully-developed female character which, sadly, is rare these days in cinema.

Sure, a few of the plot points, while quite clever, don't hold up under closer scrutiny but "Gone Girl" is so good that it's hardly a distraction. The combination of Gillian Flynn's deft skills as a storyteller and the stylish artistry of David Fincher has made this film one of the very best of the year. They have managed to take a unsettling subject matter and make it highly entertaining and thoroughly unforgettable.

Monday, September 22, 2014

2014 NEW YORK FILM FESTIVAL


One of the biggest events of the fall cinema season, The 52nd Annual New York Film Festival kicks off on September 26th and runs through October 12th. The opening night selection is "Gone Girl", the highly anticipated film adaption of the best-selling novel by Gillian Flynn. David Fincher ("Sev7n", "The Girl With The Dragon Tattoo (U.S. Version)") directs this mystery-drama about a man (Ben Affleck) who becomes a suspect after his wife (Rosamund Pike) disappears on the eve of their fifth wedding anniversary. Neil Patrick Harris (?) and Tyler Perry (???) also star.



The centerpiece selection is the world premiere of "Inherent Vice". Paul Thomas Anderson ("Boogie Nights", "The Master") is the first filmmaker to make a movie from the works of Thomas Pynchon. Set in the 70's, Det. "Doc" Sportello (Joaquin Phoenix) gets involved in a messy case involving the disappearence of the boyfriend (Eric Roberts) of his ex-girlfriend (Katherine Waterston). With Josh Brolin, Owen Wilson, Benicio del Toro and Reese Witherspoon.



"Birdman (or The Unexpected Virtue of Ignorance)", the latest from Alejandro González Iñárritu ("Amores Perros", "Babel"), closes out the festival. Michael Keaton plays an actor who was once famous for playing a super-hero and now struggles to get a Broadway show off the ground while dealing with his complicated family life and bruised ego.This dramedy also features Zach Galifianakis, Edward Norton, Naomi Watts and Emma Stone.



For more info and the complete slate of films, please click below:

The 2014 NYFF