After two lengthy strikes last year that brought the movie business to a grinding halt, the industry is ready to get back to work and celebrate themselves. The 96th annual Academy Awards brings an official end to award season and honors the best in cinema from across the globe.
For his fourth time as host, Jimmy Kimmel seemed even more at ease, playfully joking with his irreverent humor about this year's movies and nominees. The host was in great form and offering nothing too mean spirited except a bit later in the show with him reading aloud a nasty comment about him made on social media by a former President with Kimmel delivering a well deserved, perfect comeback. Following his monologue, Kimmel paid tribute to the below-the-line crew (the folks who handle much of the technical work behind the camera and who are on the cusp of their own contract renegotiations with the studios) and brought out to the stage the show's own crew.
It was fifteen years ago the first time when five previous Oscar winners came out together to present in each of the acting categories. It was thrilling and deeply moving at that time and the return of this remains highly effective. My favorite moment from this was when the amazing ninety-two year old, Rita Moreno was speaking about Best Supporting Actress nominee, America Ferrera and sang a few bars of "America" from the movie version of the musical, "West Side Story" which she won her Oscar for her performance. Now I'm not sure if I would really want to see this every year, for I do enjoy seeing clips from the nominated performances, but this is still a wonderful thrill to witness and honor Oscar winners from the past.
In the most shocking moment of the evening, Emma Stone received Best Actress over the front-runner, Lily Gladstone for her performance in "Poor Things", making her become a two-time winner. It is certainly disappointing for Gladstone but I still strongly believe that she was in the wrong category as her role in "Killers of the Flower Moon" was much more supporting than lead. And if Gladstone had been competing for Best Supporting Actress, it would have been even more of tight race against Da'Vine Joy Randolph who won the award for her emotional performance in '"The Holdovers" and gave one of the most touching speeches of the night.
"Oppenheimer" had lead with the most nominations with thirteen and ended the evening with the most wins at seven which included Best Picture. Now this would not have been my pick for this award (that would have been "Killers of The Flower Moon") but it is a solid choice and certainly will not be looked back years later as an unfortunate Best Picture selection. Christopher Nolan finally received the Best Director award while his wife, Emma Thomas shared the win for producing the movie. Cillian Murphy won his first Oscar for Best Actor playing the real-life theoretical physicist while Robert Downey, Jr. received Best Supporting Actor for his performance as Lewis Strauss, a high-ranking member of the US Atomic Energy Commission.
One of the biggest hits of last year, "Barbie" managed to take home only one award for Best Original Song for Billie Eilish and her brother, Finneas O'Connell who also became two time winners this night. But another nominated song from "Barbie", "I'm Just Ken" was performed on the show with a very game, Ryan Gosling capturing the spirit of the film. In one of the most rousing performances of the nominated songs, Gosling sang and danced in an extravagant production number surrounded by co-stars, Simu Liu and Kingsley Ben-Adir, a large number of dancing men with even Slash, the guitarist of the band, Guns N Roses, making an appearance. Another moment on the program was when stand-up comedian, John Mulaney came out to present Best Sound. I was wondering why he was actually there (in fact, I don't he's even been in a movie) but Mulaney was hilarious with his bit on "Field of Dreams" that was a highlight of the show. Perhaps he was auditioning for a chance to host a future Oscars? If so, I say give him a shot.
There were a few disappointments; The traditional In Memoriam was poorly conceived this year with the segment feeling extremely rushed with some Oscar winners and nominees omitted while other performer's names were regulated to small print on a screen blocked by the dancers on stage. And when Al Pacino arrived on stage to announce Best Picture, he simply opened the envelope without mentioning the nominees or any acknowledgment of the producers involved in each movie. What makes this even worse is that Pacino has later stated that the producers of the show instructed him to just say the winner.
This year, the show began an hour earlier and ran about twenty-three minutes over the intended three hour runtime. Yet the ratings were up by 4% this year with 19 million viewers tuning in. This uptick of viewership might be the "Barbenheimer" effect but who can know for certain. During this ceremony, there was no slapping, no opening of the wrong envelopes, no overtly political speeches and no streaking (boooo, John Cena). What we had was a fairly standard, traditional Oscars telecast. Now this perfectly fine with me however as we closely approach the centennial of the Academy Awards, what will it take to keep viewers engaged with the Oscars? I do believe the concept of "Barbenheimer" with two original films in the marketplace at the same time is one answer but another bolder vision is what Best Adapted Screenplay winner, Cord Jefferson said in his acceptance speech which in essence is that studios might want to get back to investing less money on films and take a chance on a new filmmaker with a fresh, innovative script.
Here is the complete list of the winners of the 2024 Academy Awards:
Best Picture: "Oppenheimer"
Best Director: Christopher Nolan, "Oppenheimer"
Best Original Screenplay: Arthur Harari and Justine Triet, "Anatomy of a Fall"
Best Adapted Screenplay: Cord Jefferson, "American Fiction"
Best Actress in a Leading Role: Emma Stone, "Poor Things"
Best Actor in a Leading Role: Cillian Murphy, "Oppenheimer"
Best Actress in a Supporting Role: Da'Vine Joy Randolph, "The Holdovers"
Best Actor in a Supporting Role: Robert Downey Jr., "Oppenheimer"
Best Cinematography: Hoyte van Hoytema, "Oppenheimer"
Best Editing: Jennifer Lame, "Oppenheimer"
Best Production Design: James Price and Shona Heath, Production Design; Zsuzsa Mihalek, Set Decoration, "Poor Things"
Best International Feature: "The Zone of Interest" (United Kingdom)
Best Animated Feature: "The Boy and the Heron"
Best Animated Short: "War is Over! Inspired by the Music of John & Yoko"
Best Documentary Feature: "20 Days in Mariupol"
Best Documentary Short: "The Last Repair Shop"
Best Live Action Short: "The Wonderful Story of Henry Sugar"
Best Original Score: Ludwig Göransson, "Oppenheimer"
Best Original Song: "What Was I Made For?" from "Barbie" Music and Lyric by Billie Eilish and Finneas O'Connell
Best Sound: Tarn Willers and Johnnie Burn, "The Zone of Interest"
Best Costume Design: Holly Waddington, "Poor Things"
Best Makeup and Hairstyling: Nadia Stacey, Mark Coulier and Josh Weston, "Poor Things"
Best Visual Effects: Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima, "Godzilla Minus One"
Academy Honorary Awards:
There were a few disappointments; The traditional In Memoriam was poorly conceived this year with the segment feeling extremely rushed with some Oscar winners and nominees omitted while other performer's names were regulated to small print on a screen blocked by the dancers on stage. And when Al Pacino arrived on stage to announce Best Picture, he simply opened the envelope without mentioning the nominees or any acknowledgment of the producers involved in each movie. What makes this even worse is that Pacino has later stated that the producers of the show instructed him to just say the winner.
This year, the show began an hour earlier and ran about twenty-three minutes over the intended three hour runtime. Yet the ratings were up by 4% this year with 19 million viewers tuning in. This uptick of viewership might be the "Barbenheimer" effect but who can know for certain. During this ceremony, there was no slapping, no opening of the wrong envelopes, no overtly political speeches and no streaking (boooo, John Cena). What we had was a fairly standard, traditional Oscars telecast. Now this perfectly fine with me however as we closely approach the centennial of the Academy Awards, what will it take to keep viewers engaged with the Oscars? I do believe the concept of "Barbenheimer" with two original films in the marketplace at the same time is one answer but another bolder vision is what Best Adapted Screenplay winner, Cord Jefferson said in his acceptance speech which in essence is that studios might want to get back to investing less money on films and take a chance on a new filmmaker with a fresh, innovative script.
Here is the complete list of the winners of the 2024 Academy Awards:
Best Picture: "Oppenheimer"
Best Director: Christopher Nolan, "Oppenheimer"
Best Original Screenplay: Arthur Harari and Justine Triet, "Anatomy of a Fall"
Best Adapted Screenplay: Cord Jefferson, "American Fiction"
Best Actress in a Leading Role: Emma Stone, "Poor Things"
Best Actor in a Leading Role: Cillian Murphy, "Oppenheimer"
Best Actress in a Supporting Role: Da'Vine Joy Randolph, "The Holdovers"
Best Actor in a Supporting Role: Robert Downey Jr., "Oppenheimer"
Best Cinematography: Hoyte van Hoytema, "Oppenheimer"
Best Editing: Jennifer Lame, "Oppenheimer"
Best Production Design: James Price and Shona Heath, Production Design; Zsuzsa Mihalek, Set Decoration, "Poor Things"
Best International Feature: "The Zone of Interest" (United Kingdom)
Best Animated Feature: "The Boy and the Heron"
Best Animated Short: "War is Over! Inspired by the Music of John & Yoko"
Best Documentary Feature: "20 Days in Mariupol"
Best Documentary Short: "The Last Repair Shop"
Best Live Action Short: "The Wonderful Story of Henry Sugar"
Best Original Score: Ludwig Göransson, "Oppenheimer"
Best Original Song: "What Was I Made For?" from "Barbie" Music and Lyric by Billie Eilish and Finneas O'Connell
Best Sound: Tarn Willers and Johnnie Burn, "The Zone of Interest"
Best Costume Design: Holly Waddington, "Poor Things"
Best Makeup and Hairstyling: Nadia Stacey, Mark Coulier and Josh Weston, "Poor Things"
Best Visual Effects: Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima, "Godzilla Minus One"
Academy Honorary Awards:
Angela Bassett
Mel Brooks
Carol Littleton
Jean Hersholt Humanitarian Award: Michelle Satter
Mel Brooks
Carol Littleton
Jean Hersholt Humanitarian Award: Michelle Satter
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