Written by David Branson Smith and Matt Spicer
Directed by Matt Spicer
Where & When: AMC Century City, West Los Angeles, CA August 30, 2017 7:25 PM
"Ingrid Goes West", a wickedly dark satire by writer/director Matt Spicer, takes on the modern way we communicate and connect through social media, examining one woman's extreme and desperate attempts to fit in and be liked. With a deft and wacky performance by Aubrey Plaza that manages to make you squirm and laugh uncomfortably, she plays Ingrid, an unbalanced and lonely outsider who believes that stalking is simply how you make friends today.
When we first see Ingrid, she's sobbing uncontrollably as she clicks "loves" on pictures of a beautiful wedding posted on Instagram. It turns out she's parked outside where the ceremony is being held and marches inside to shriek at the bride for not inviting her before spraying her in the face with mace.
During her stay at a mental health facility, Ingrid writes to her victim, explaining that she's better now and the incident was all just a misunderstanding while hoping they can still be friends. However the reality was that they were never actually friends but Ingrid was convinced due to the bride "friending" her just to be nice.
Shortly after being released, Ingrid is flipping through a magazine when she gazes upon the person who will become her latest obsession; Taylor Sloane (Elizabeth Olsen), a golden-haired, social media darling whose easy Southern California lifestyle is used to influence and inspire her audience.
With the insurance money she received after her mother's death, Ingrid heads out to Los Angeles to meet the woman who she's determined to make her new best friend. She rents a room in the beach community of Venice where Taylor lives from Pinto (O'Shea Jackson, Jr.), an aspiring screenwriter and hardcore fan of the Dark Knight, who takes an interest in her. But Ingrid's only focus is to track down her unsuspecting new BFF.
We are amused, disturbed and mesmerized by Ingrid's bumbling, deceitful efforts to infiltrate Taylor's seemingly perfect life with her slacker artist husband (Wyatt Russell) and the relative ease in which they quickly become actual friends. After adapting many of Taylor's "likes"; vegan food, boho chic dresses, Joshua Tree and Joan Didion, Ingrid is blissfully happy with her new life with Taylor.
But it was inevitable for all this happiness to be interrupted. The arrival of Nicky (Billy Magnussen), Taylor's hunky party-boy brother, puts a wedge between the new best friends. Nicky and Ingrid immediately dislike each other, with him becoming very suspicious of the true nature of her relationship with his sister.
As Ingrid's fantasy life with Taylor begins to implode, she becomes more desperate and her behavior becomes increasingly outrageous. But it also reveals how vulnerable and damaged she actually is, shifting the film uneasily from black comedy to a tragic humiliation. It's no surprise that Ms Plaza, who first found success on television with "Parks & Recreation", effectively uses her quirky charm and comedic gifts to display Ingrid's crazed, relentless actions but the actress also unexpectedly reveals a deep sadness which seem to drive her to such an irrational state.
Los Angeles is certainly an easy target with the town full of self-involved people and social media has managed to make it even easier for them to fill the rest of the world continuously with themselves and their thoughts and ideas. But while "Ingrid Goes West" certainly delivers plenty of awkward laughs and well-played performances, the film never get beneath the surface to reveal any deeper meaning to our insatiable desire to be constantly connected in a virtual reality.
With an ending that is highly predictable yet absolutely perfect, "Ingrid Goes West" humorously captures this current obsession (and the unexpected dangers) with desperately wanting to be noticed by thousands (or millions, if you're lucky) of virtual strangers with the hope that with each "like" perhaps we'll feel better about ourselves.
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