BRUNO (2009)

Written by Sasha Baron Cohen & Anthony Hines



Directed by Larry Charles



Where & When: Arclight Theater, Hollywood, CA July 15, 2009 11:35AM


While I found "Bruno" mildly amusing, I think this film is way, way too graphic for heterosexual consumption and probably a little offensive to the LGBTQ communites. So who is this film for? Maybe for a few people who have a strange fascination with the anal cavity who enjoy off-color jokes about this orifice. I'm sure the guys from "South Park" must think this movie is hilarious.

My boyfriend, Dean who has not seen it but thinks the film is homophobic and can't believe I went to see it. I was horrified to learn my mother went to see "Bruno" and was completely grossed out by it. I resisted the urge to apologize to her for having to witness explicit depictions of gay sex. I think it's beautiful but she doesn't need to see it. She also said she will never see another Sasha Baron Cohen film.

The film is about Bruno, an ignorant, self-involved fashionista who has a television program in Berlin reporting on all things that are fashionable. After being fired from his job, Bruno decides to come to America to seek out fame and fortune. We follow him as he travels across the country interviewing celebrities (Paula Abdul), politicians (Ron Paul), rednecks and getting in to all sorts of mischief along the way.

Bruno also acquires the hottest accessory trend: an African baby. He then goes on a talk show which just happens to be populated with a large African-American audience and announces he traded the baby for an Ipod and has named him O.J. The audience, obviously, are not amused. He decides that being gay is not so great anymore, so he wants to convert to a heterosexual lifestyle. He gets advice from a former homosexual who tells him to let God into his heart and he will succeed in changing into a straight male. It works for like, a brief moment, until Bruno realizes you shouldn't change who you really are and to accept your fabulous self.

Like "Borat" before this, "Bruno" has it's lead character pulling unsuspecting people into his fictional world. Because of the success of "Borat", you would think people would be slightly suspicious of the antics of this flamboyant German but it appears that he found few people who hadn't seen Mr. Cohen's previous work. Some people have later claimed they were in on the joke but after watching Ms Abdul on "American Idol" preparing to critique a contestant's second song they hadn't performed yet, I'm not confident she has a clear grasp on what is real.

"Bruno" is not nearly as good or as funny as "Borat". This film feels much more forced and struggles to find humor in all the situations they but Bruno in. So enter "Bruno" at your own risk but don't say you haven't been warned.

(500) DAYS OF SUMMER (2009)

Written by Scott Neustadter & Michael H. Weber



Directed by Marc Webb



Where & When: The Landmark West Los Angeles, CA July 22, 2009 4:50PM



First, let me say that I absolutely loved "(500) Days of Summer" and it is one of my favorites of the year. Now, let me tell you why. . .  The film is about a boy, Tom (Cutie Joseph Gordon-Levitt) who works at a greeting card company but aspires to be an architect who meets a girl, Summer (Zooey Deschanel) who is the new secretary in the office. He is smitten with her after she over hears him listening to The Smiths on his Ipod and tells him they are one of her favorite bands. Since they are one of his favorite bands, he takes that as a sign that she is "the one" he could possibly connect with.

After getting to know each other better after a round of drinks and karaoke, so begins the journey of the 500 days of their relationship. We move non-linearly through various high and low points of their time together. This is not a spoiler by saying they don't make it it to day 501 which we are told at the beginning of the film but what this really is about is how Tom believes wholeheartedly in that cliche that love will conquer all but he soon finds out that unfortunately that is not true and it shatters him.

I loved how the film switched the gender roles from the typical romantic comedy whereas Tom is the one who wants to settle down and who believes in true love while Summer has no real belief in the ideal of love but does believe in just enjoying their moment together in a non-committed way. He wants more from her but she in incapable of it.

What "Annie Hall" was to New York, I think this film is to Los Angeles or more specifically, downtown L.A. This film highlights many wonderful areas in the city as well as historic structures like the Broadway Bar, The Bradbury Building and the Fine Arts Building. Music also plays an important part of this film as an eclectic group of artists like Regina Spektor, Hall & Oates, Carla Bruni and of course The Smiths help set the many moods and is a great soundtrack. We are even treated to a brief dance number that is not out of place and perfectly let's us know how Tom is feeling.

I have never been a big admirer of the talents of Ms Deschanel's but I liked her performance in this film. I can't say she has found a new fan in me but I will admit she is not as bad as I once thought. Now, I am a fan of Mr. Gordon-Levitt. He always has made interesting film choices and after great performances in "Brick", "Mysterious Skin" and "The Lookout" which unfortunately did not find a large audience but after this film (and I guess "GI Joe"), I hope he will now have an opportunity to showcase his talents to an even wider audience.

Marc Webb's claim to fame prior to this film was as a music video director and he used that to his advantage in the making of this by subtly using those video techniques throughout to help tell the story. He is also helped by a strong script and smart casting choices. "(500) Days of Summer" is a wonderfully, smart unconventional romantic comedy. I really can't say enough about this film. Do yourself a favor and go see it.

WINNERS FROM THE 2009 OUTFEST FILM FESTIVAL

Here is the list of this year's winners:

Special Programming Awards:

The Outfest 2009 Special Programming Award for Freedom:

"ON THESE SHOULDERS WE STAND", Directed by Glenne McElhinney



The Outfest 2009 Special Programming Award for Artistic Achievement:

"GREEK PETE", Directed by Andrew Haigh

The Outfest 2009 Special Programming Award for Emerging Talent:

George O’Donnell, "COLLEGE BOYS LIVE"

Audience Awards:

The Outfest 2009 Audience Award for Outstanding Documentary Short:

"GET HAPPY", Directed by Mark Payne

The Outfest 2009 Audience Award for Outstanding Dramatic Short Film

"AWAKENING", Directed by Christian Tafdrup

The Outfest 2009 Audience Award for Outstanding Soundtrack:

"WE ARE THE MODS", Directed by E.E. Cassidy

The Outfest 2009 Audience Award for Outstanding Documentary Feature:

"EDIE & THEA: A VERY LONG ENGAGEMENT", Directed by Greta Olafsdottir & Susan Muska





The Outfest 2009 Audience Award for Outstanding Dramatic Feature:

"CHEF’S SPECIAL", Directed by Nacho G. Velilla


The Outfest 2009 Audience Award for Outstanding First U.S. Dramatic Feature:

"WE ARE THE MODS", Directed by E.E. Cassidy



Jury Awards:

The Outfest 2009 Grand Jury Award for Outstanding Documentary Short:

"FIRST AND LOVELISS", Directed by Shaun Kadlec & Deb Tullman

The Outfest 2009 Grand Jury Award for Outstanding Dramatic Short:

"THE BATH", Directed by Lee Mi-rang

The Outfest 2009 Grand Jury Award for Outstanding Documentary Feature:

"OFF AND RUNNING", Directed by Nicole Opper

The Outfest 2009 Grand Jury Award for Outstanding International Dramatic Feature:

"THE MAN WHO LOVED YNGVE", Directed by Stian Kristiansen



The Outfest 2009 Grand Jury Award for Outstanding Actress in a Feature:

Laura Harring in "DROOL"



The Outfest 2009 Grand Jury Award for Outstanding Actor in a Feature:

Derrick L. Middleton in "RIVERS WASH OVER ME"

The Outfest 2009 Grand Jury Award for Outstanding Screenwriting:

E.E. Cassidy and Bruce Pavalon, "WE ARE THE MODS"

The Outfest 2009 Grand Jury Award for Outstanding U.S. Dramatic Feature:

"MISSISSIPPI DAMNED". Directed by Tina Mabry

NOTES FROM OUTFEST - JULY 19 2009

Today I saw a sneak peak of the upcoming sequel:

"Eating Out 3: All You Can Eat"

Directed by Glenn Gaylord


"Eating Out 3: All You Can Eat" is latest in the continuing series of the apparently successful sex comedy, "Eating Out". This time we find slutty Tiffani (Rebekah Kochan from the previous two films) befriending Aunt Helen's (Mink Stole) latest nephew, Casey (Daniel Skelton) who she meets at Helen's previous nephew's funeral. Casey is new to town so Tiffani is the perfect person to show him around. Casey meets and falls head over heels for the hot, Zack (Chris Salvatore). Casey is too shy and doesn't think he is hot enough for Zack. Oh, Zack also has a hunky boyfriend but Tiffani tells him that's no big deal.

Tiffani comes up with the brilliant plan to create a fake online profile using the face of her previous boyfriend to win Zack over. She thinks it's better to lie upfront and deal with the truth later after he gets to know the guy in the fake profile. Zack in very interested in the man in the profile and Casey woos him some fancy words. Casey also finds out Zack dumped his hunky boyfriend after deciding he wants more than just a guy with a sexy body.

Casey is all set to tell Zack the truth when Tiffani's ex boyfriend, Ryan just happens to be at the bar. Zack assumes that Ryan is his Internet friend and Ryan goes along to get back at Tiffani and they set up a date. Ryan meets at Zack's place for their date but can't go through with it since he is a straight guy who also happens to be a stripper who strips for gay men. Casey shows up and Ryan spills the beans on the Internet deception.

OOH! Zack is so mad and kicks them both out of his house. Casey must think of a way to win Zack back and lucky for him, he's got Tiffani and Ryan to help him out. I won't spoil the ending for anyone but I will say that everybody cums together in the end.

I hadn't seen the first "Eating Out" but I saw the first sequel at Outfest about two years ago. I was not impressed and didn't think it all that funny. I didn't think it was possible but this one is even worse. This film is littered with lame, tasteless and just bad jokes and I wouldn't want to insult any real thespians by calling any of these young, pretty people in the film "actors".

The thing I'm most offended about this film is how poor Leslie Jordan (from "Will & Grace" and a real comedian) is completely wasted in this mess. I have to admit that the audience I watched this with loved this film and laughed all the way through it, so perhaps it's just something I'm not getting. So if you loved the previous two films and you love cheap, lousy jokes and very attractive, bad actors, then "Eating Out 3" is perfect for you.

NOTES FROM OUTFEST - JULY 17 2009

STAR SIGHTINGS: Rutger Hauer and Bai Ling

Uh... no comment.

Tonight I saw the drama:

"The End Of Love" (2009)

Written & Directed by Simon Chung

The story takes place in Hong Kong and it is about a young man named Ming who works in a clothing store. He meets an older man named Yen there and decides to take him home for a quickie. He's not concerned about his mother coming home because she is out playing Mah-Jong. She, of course, comes home early and catches them in the act. A dramatic argument ensues which causes Ming to storm out of the house. His mother is so distraught and ashamed that she ends her life.

Ming moves in with a friend. Ming's friend soon introduces him in to his world of drugs and prostitution. At the same time, Ming has been dating Yen and wants to move in with him but Yen is not ready for such a commitment. This rejection causes Ming to move further in to the life of a rent boy. Yen becomes suspicious when Ming becomes distant and comes up with lame excuses to take off during their time together.

After following Ming to a hotel, Yen confronts him which leads to the end of their relationship. Ming continues on with his new lifestyle until it is abruptly ended by a knock on the door by the police. An anonymous tip told them there would be drugs in their apartment which, of course, were found. Ming is sent to a Christian rehabilitation center. He rebels against the system but is helped by a kind, young man who helps steer Ming back in to a clean life. Ming develops a crush on the man but he is straight. After Ming is released. he goes to live with the young man and his girlfriend. But this girl is nothing but trouble and she helps guide Ming back in to his previous life style. More tragedy is soon to follow. "The End of Love" is pretty, not much more than a soap opera but I thought it is well written and very entertaining.

NOTES FROM OUTFEST - JULY 16 2009

"Make A Date"

"Falling For Caroline"

"Butthole Lickin"

Tonight I saw a collection of lesbian shorts entitled "Heavy Petting". There were a total of seven films and the best by far was also the shortest.

With a running time of five minutes was "Butthole Lickin" directed by Kanako Wynkoop and it's title says it all. It's about a couple of ladies enjoying the act and after the one going down comes up for a kiss, she is rebuffed. The rest of the film is the hilarious discussion on why she can't kiss her and how they might solve this problem.

"Falling for Caroline" directed by Christine Chew is about a shy and awkward young lady who meets the title character in a video store and her clumsy attempts to sweep her off her feet. The short is cute but the film and the humor feels too much like a sitcom for my taste.

"Make A Mate" directed by Jennifer Jordan Day is a strange looking stop action animated film about a female going to a store and selecting all the qualities to mix together and create the perfect partner. Clever idea but if there had been more money to use to create the characters and sets, it would have made a much stronger film.

The other films were pleasant but didn't really leave me with much of an impression.

NOTES FROM OUTFEST - JULY 15 2009

UPDATE: WINNER!
The Outfest 2009 Special Programming Award for Artistic Achievement

GREEK PETE

Written & Directed by Andrew Haigh

The film I saw tonight was a narrative documentary, "Greek Pete". It's about a hustler named Pete who's professionally known as "Greek Pete" and later becomes "London boy Pete". We follow Pete (who is quite charming and attractive, both big pluses in his profession) recently arriving in London as he tries to negotiate working there. He talks about his goals in life, his family back in Greece and how he wants to be recognized as a very successful rent boy. We also meet some of Pete's fellow rent boys and they discuss the trials and tribulations of their lives. We see them create a Christmas dinner for themselves since they have no family to go to and after dinner they indulge in plenty of drugs and drinks.

The problem with "Greek Pete" is that it doesn't work as a documentary since there are parts that are obviously staged and it definitely doesn't work as a fictional film because there is no plot. This leaves for an unsatisfying experience which is too bad because there are many interesting moments throughout. I'm not sure why this could not have been just a documentary since he had a very charismatic subject and it would have made a much stronger film.