Thursday, December 30, 2021

DON'T LOOK UP (2021)

Written & Directed by Adam McKay



When & Where: TCL Chinese Theatres, Hollywood, CA. December 14, 2021 6:30 PM



Available to stream now on Netflix



"Don't Look Up", Adam McKay's latest satirical jab, looks at how our modern society would receive the news of the impending end of the world. And the reaction that is presented is apathetic, divisive and over-the-top yet also feels strangely accurate. With broad, biting humor, the film drives home the idea that we have become so incredibly self-involved, politically fractured, paranoid and uncivil that a giant meteor on a collusion course to the planet is not nearly enough to bring us all together to try and come up with a plan to save ourselves. Much like McKay's recent films, "The Big Short" and "Vice", "Don't Look Up" features a dazzling array of very famous actors, each given a moment to shine while having some fun being wild and absurd.

Kate Dibiasky (Jennifer Lawrence), an astronomy student at Michigan State University, discovers a previously undetected asteroid. With her professor, Dr. Randall Mindy's (Leonardo DiCaprio) assistance, they realize that not only is it on course to collide with the planet in six months but the impact will wipe out mankind. Panicked and unsure of what to do next, they first contact Dr. Teddy Oglethorpe (Rob Morgan), who presents their finding to his contacts at NASA, leading them to be whisked off to the White House.

But their discovery is not a high priority and when the scientists finally meet with President Janie Orlean (Meryl Streep) to inform her of Earth's impending doom, she is more concerned about how this could effect her poll numbers. The snarky Chief of Staff, Jason Orlean (Jonah Hill), who is also the President's son, offers no help, with the official decision to put this information on hold and re-access at a later date.

With this disturbing news, Kate and Dr Mindy decide to go another route by leaking the story to the media. They make an appearance on a morning talk show with the smiling, vapid hosts, Jack Bremmer (Tyler Perry) and Brie Evantee (Cate Blanchett). But the only thing that's accomplished is Kate's on-air meltdown going viral and Brie flirts aggressively with the married Dr. Mindy. And after President Orlean becomes involved in a sex scandal, she decides to use this leaked news of the threat to divert attention from her disgraceful story and for political gain.

As a filmmaker, Adam McKay doesn't naturally gravitate towards subtlety. Beginning his career as a founding member of the Upright Citizens Brigade improv group, he became the head writer on "Saturday Night Live" in 1996 before moving on to write and direct the Will Ferrell comedies, "Anchorman: The Legend of Ron Burgundy", "Talladega Nights: The Ballad of Ricky Bobby" and "Step Brothers", McKay likes his humor boisterously wild and silly, bordering on slapstick. But over time he has toned down his base comedic instincts and began to make more introspective films on subjects that were important to him, with a compelling desire to inform and entertain.

With "Don't Look Up", McKay's focus is on the evils of capitalism, the dangers of unregulated big tech, the continuous inaction on climate change and how the news media has been corrupted by corporations. I think the dark comedic tone works at first yet as the film progresses, becoming more serious and somber, the blunt force delivery of these complicated ideas overwhelms and feels sermonizing.

After his amazing performance in "The Wolf of Wall Street", DiCaprio has proven to be a naturally gifted comedian and he really should do more comedies. In the film, the actor brilliantly captures this frazzled scientist who is thrusted in to the limelight, overwhelmed by the attention. As a young woman trying to cope with her imminent end, Lawrence is comically frantic yet resolved. The always dependable Blanchett is hilarious as a career-focused, Fox News-styled television anchor. While President Orlean's political affiliation is not explicitly revealed, it's quite obvious that from her deep self-involvement and red baseball cap which side of the aisle she's on. Streep is great fun to watch as she effortlessly captures the causal menace of this President. There are also notable appearances by Timothée Chalamet, pop-star, Ariana Grande and Mark Rylance as Sir Peter Isherwell, a tech billionaire who at first plans to send a spacecraft to knock the comet off course before discovering he could make money if it actually lands on Earth.

I laughed out loud several times throughout "Don't Look Up". Yet I was also left feeling very anxious and distressed by the conclusion. Perhaps that is what the director has intended with the goal to make people uncomfortable, forcing them to open their eyes about, in his opinion, their impending doom, one that will not require an outside force to bring us to a premature end. McKay has clearly made a left-leaning message movie that uses comedy to distract so you will pay attention. Some will definitely find "Don't Look Up" far too smug, heavy-handed, preachy and political, lacking in optimism and hope. But when hasn't a filmmaker used the medium to express their personal viewpoint and shared ideas that are important to them? "Don't Look Up" may not be the movie we want to see right now but it does contain some conversations we really should be considering right now.

Saturday, December 18, 2021

GREAT PERFORMERS: THE BEST ACTORS OF 2021


For this year's Great Performances in the New York Times magazine, the chief film critic, A.O. Scott made the selections all on his own. And his choices are inspired and inspiring, singling out actors who gave us remarkable performances that were truly uncanny and complex. There were the performers who have been receiving plenty of critical praise and award buzz; an almost unrecognizable Will Smith in "King Richard"; the very British, Benedict Cumberbatch as an unpleasant Montana cowboy in "The Power of the Dog"; Kristen Stewart delivers an unexpectedly transformative performance with the American actor playing the late British Royal, Princess Diana; Tessa Thompson and Ruth Negga play off of each other brilliantly in the period drama, "Passing"; another acting team, Joaquin Phoenix and Gaby Hoffmann are siblings trying to sort out their complicated past through her son in "C'mon C'mon" and Denzel Washington shaking up his Hollywood routine by playing the Scottish lord who would become King in the latest Shakespeare re-telling, "The Tragedy of Macbeth".

But there were some pleasantly surprising choices that Scott made looking outside of conventional American cinema; Hidetoshi Nishijima has made a major impression in the three-hour long, Japanese drama, "Drive My Car" based on a short story by Haruki Murakami; Katia Pascariu and her dazzlingly turn in the Romanian comedy with the great English translated title, "Bad Luck Banging or Loony Porn"; the sisters, Joséphine and Gabrielle Sanz playing a daughter and her mother who meet as children in Céline Sciamma's lovely dramatic-fantasy, "Petite Maman"; The comedian/musician, Bo Burnham with his inventive Netflix special, "Inside" that he made completely by himself in his home during quarantine and Honor Swinton Byrne in the rare art-house sequel, "The Souvenir Part II".

Last year, largely due to the movie business essentially put on hold, the selections for Great Performers issue included performers that we were watching for the first time outside of cinema. This list is made up almost entirely of cinematic performances as we were able to finally return to the theaters this year. But not everyone was ready to come back, making the movie business remain on shaky ground. Yet there were still many movies that reached cinemas; some new Hollywood fare and 2020 holdbacks that were seen by a wide audience and made some big money. But smaller, indie films struggled, unable to reach their full potential as their audience decided to wait until they could stream. With a new COVID variant beginning to surface, effecting the vaccinated and non-vaccinated at a worrying rate, it is unclear what the new year will have in store. Yet I am hopeful that we will continue to adjust and be able to move forward carefully.

Please click below to read the article:

NYT: The Great Performers Issue 2021

Wednesday, December 15, 2021

AWARD SEASON NEWS


The 37th annual Film Independent Spirit Awards
have been announced and "Zola", Janicza Bravo's dark comedy about a stripper's trip to Florida that takes a very ugly turn, leads the field with seven noms including Best Feature. The other films vying for the top prize include "The Novice" a twisted thriller of an obsessive college freshman joining her university's rowing team, that received five nominations; "The Lost Daughter", actress, Maggie Gyllenhaal's directorial debut with an adaptation of Elena Ferrante’s novel, scored four nominations; "A Chiara" an Italian-language family drama and the latest from Mike Mills, "C’mon C’mon" which stars Joaquin Phoenix as a radio journalist traveling the country and his relationship with his young nephew. In order to be eligible for a Spirit Award, films must be under the specific budget of $22.5 million. The 2021 Spirit Awards are planned to return to an in-person event on March 6th at the beach in Santa Monica and broadcast live on IFC.

Here is the complete list of the nominations of the 2021 Film Independent Spirit Awards:

Best Feature:

"A Chiara"
"C’mon C’mon"
"The Lost Daughter"
"The Novice"
"Zola"

Best Director:

Janicza Bravo, "Zola"
Maggie Gyllenhaal, "The Lost Daughter"
Lauren Hadaway, "The Novice"
Mike Mills, "C’mon C’mon"
Ninja Thyberg, "Pleasure"

Best Screenplay:

Nikole Beckwith, "Together Together"
Janicza Bravo and Jeremy O. Harris, "Zola"
Maggie Gyllenhaal, "The Lost Daughter"
Mike Mills, "C’mon C’mon"
Todd Stephens, "Swan Song"

Best Female Lead:

Isabelle Fuhrman, "The Novice"
Brittany S. Hall, "Test Pattern"
Patti Harrison, "Together Together"
Taylour Paige, "Zola"
Kali Reis, "Catch the Fair One"

Best Male Lead:

Clifton Collins Jr., "Jockey"
Frankie Faison, "Killing of Kenneth Chamberlain"
Michael Greyeyes, "Wild Indian"
Udo Kier, "Swan Song"
Simon Rex, "Red Rocket"

Best Supporting Female:

Jessie Buckley, "The Lost Daughter"
Amy Forsyth, "The Novice"
Ruth Negga, "Passing"
Revika Reustle, "Pleasure"
Suzanna Son, "Red Rocket"

Best Supporting Male:

Colman Domingo, "Zola"
Meeko Gattuso, "Queen of Glory"
Troy Kotsur, "CODA"
Will Patton, "Sweet Thing"
Chaske Spencer, "Wild Indian"

Best International Film:

"Compartment No. 6" (Finland/Russia)
"Drive My Car" (Japan)
"Parallel Mothers" (Spain)
"Pebbles" (India)
"Petite Maman" (France)
"Prayers for the Stolen" (Mexico)

Best Documentary
:

"Ascension"
"Flee"
"In The Same Breath"
"Procession"
"Summer of Soul"

Best Cinematography:

Ante Cheng and Matthew Chuang, "Blue Bayou"
Lol Crawley, "The Humans"
Tim Curtin, "A Chiara"
Edu Grau, "Passing"
Ari Wegner, "Zola"

Best Editing:

Affonso Gonçalves,"A Chiara"
Ali Greer, "The Nowhere Inn"
Lauren Hadaway and Nathan Nugent, "The Novice"
Joi McMillon, "Zola"
Enrico Natale, "The Killing of Kenneth Chamberlain"

Best First Feature:

"7 Days"
"Holler"
"Queen of Glory"
"Test Pattern"
"Wild Indian"

Best First Screenplay:

Lyle Mitchell Corbine, Jr., "Wild Indian"
Matt Fifer, Story by Sheldon D. Brown, “Cicada"
Shatara Michelle Ford, "Test Pattern"
Fran Kranz, "Mass"
Michael Sarnoski, Story by Vanessa Block and Michael Sarnoski, "Pig"

John Cassavetes Award (awarded to the best feature made for under $500,000):

"Cryptozoo"
"Jockey"
"Shiva Baby"
"Sweet Thing"
"This is Not a War Story"

The Someone to Watch Award (recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition):

Alex Camilleri, "Luzzu"
Gillian Wallace Horvat, "I Blame Society"
Michael Sarnoski, "Pig"

The Truer Than Fiction Award (awarded to an emerging director of non-fiction features who has not yet received significant recognition):

Angelo Madsen Minax, "North By Current"
Jessica Beshir, "Faya Dayi"
Debbie Lum, "Try Harder!"

Robert Altman Award (awarded to one film’s director, casting director and ensemble cast) "Mass"

Jasmila Žbanić’s "Quo Vadis, Aida?" was the big winner at the 34th annual European Film Awards, receiving the Best European Film as well as Best European Director and Best European Actress for lead, Jasna Đuričić. This drama, which was nominated for a Best International Feature Oscar at last year's Academy Awards, tells the story of a brave woman’s fight to save her family during the Bosnian War genocide in Srebrenica. Anthony Hopkins won Best European Actor for his brilliant performance in "The Father" along with the film's screenwriters, Florian Zeller and Christopher Hampton For Best European Screenwriter, all winning Oscars for their work earlier this year. And "Flee", the animated documentary from Danish filmmaker, Jonas Poher Rasmussen, took both Best European Animated Feature Film and Best European Documentary. This film about a man originally from Afghanistan who shares his hidden past about the arduous journey of fleeing his country could potentially repeat this feat at this year's Oscars as it is shortlisted in both categories as well as Best International Feature.

Here is the list of winners from the 2021 European Film Awards:

Best European Film: "Quo Vadis, Aida?"
Best European Director: Jasmila Žbanić, "Quo Vadis, Aida?"
Best European Screenwriter: Florian Zeller & Christopher Hampton, "The Father"
Best European Actress: Jasna Đuričić, "Quo Vadis, Aida?"
Best European Actor: Anthony Hopkins, "The Father"
Best European Comedy: "Ninjababy"
Best European Documentary: "Flee"
Best European Animated Feature Film: "Flee"
Best European Cinematography: Crystel Fournier, "Great Freedom"
Best European Editing: Mukharam Kabulova, "Unclenching The Fists"
Best European Production Design: Marton Agh, "Natural Light"
Best European Original Score: Nils Petter Molvaer and Peter Brotz-Mann, "Great Freedom"
Best European Sound: Gisle Tveito and Gustaf Berger, "The Innocents"
Best European Visual Effects: Peter Hjorth and Fredrik Nord, "Lamb"
Best European Costume Design: Michael O’Connor, "Ammonite"
Best European Make-Up & Hair: Flore Masson, Olivier Alfonso and Antoine Mancini, "Titane"
Best European Discovery (Prix Fipresci): Emerald Fennell, "Promising Young Woman"

And the scandal-plagued Hollywood Foreign Press Association have announced their nominations for the 2022 Golden Globe Awards. This secretive group of international critics had run in to trouble earlier in the year due to a long history of corruption in the group and their lack of diversity amongst their ranks. They tried to repair the damage with a series of reforms including admitting new members and hiring a new chief diversity officer. But despite their efforts, the HFPA have continued to struggle with their event. NBC is apparently declining to air the award show along with agents and publicists still planning on having their clients boycott the Globes. I guess we will have to see how this will shake out as the Golden Globes will be announcing their winners on January 9th in some capacity.

Here is the complete list of the 2022 Golden Globe nominations in film:

Best Motion Picture (Drama):

"Belfast"
"CODA"
"Dune"
"King Richard"
"The Power of the Dog"

Best Picture (Musical or Comedy):

"Cyrano"
"Don’t Look Up"
"Licorice Pizza"
"Tick, Tick … Boom!"
“West Side Story"

Best Director (Motion Picture):

Kenneth Branagh, "Belfast"
Jane Campion, "The Power of the Dog"
Maggie Gyllenhaal, "The Lost Daughter"
Steven Spielberg, "West Side Story"
Denis Villeneuve, "Dune"

Best Screenplay (Motion Picture):

Paul Thomas Anderson, "Licorice Pizza"
Kenneth Branagh, "Belfast"
Jane Campion, "The Power of the Dog"
Adam McKay, "Don’t Look Up"
Aaron Sorkin, "Being the Ricardos"

Best Performance by an Actress in a Motion Picture (Drama)

Jessica Chastain, "The Eyes of Tammy Faye"
Olivia Colman, "The Lost Daughter"
Nicole Kidman, "Being the Ricardos"
Lady Gaga, "House of Gucci"
Kristen Stewart, "Spencer"

Best Performance by an Actress in a Motion Picture (Musical or Comedy):

Marion Cotillard, "Annette"
Alana Haim, "Licorice Pizza"
Jennifer Lawrence, "Don’t Look Up"
Emma Stone, "Cruella"
Rachel Zegler, "West Side Story"

Best Performance by an Actor in a Motion Picture (Drama):

Mahershala Ali, "Swan Song"
Javier Bardem, "Being the Ricardos"
Benedict Cumberbatch, "The Power of the Dog"
Will Smith, "King Richard"
Denzel Washington, "The Tragedy of Macbeth"

Best Performance by an Actor in a Motion Picture (Musical or Comedy):

Leonardo DiCaprio, "Don’t Look Up"
Peter Dinklage, "Cyrano"
Andrew Garfield, "Tick, Tick … Boom!"
Cooper Hoffman, "Licorice Pizza"
Anthony Ramos, "In the Heights"

Best Supporting Actor (Motion Picture):

Ben Affleck, "he Tender Bar"
Jamie Dornan, "Belfast"
Ciarán Hinds, "Belfast"
Troy Kotsur, "CODA"
Kodi Smit-McPhee, "The Power of the Dog"

Best Supporting Actress (Motion Picture):

Caitríona Balfe, "“Belfast"
Ariana DeBose. "West Side Story"
Kirsten Dunst, "The Power of the Dog"
Aunjanue Ellis, King Richard"
Ruth Negga, "Passing"

Best Picture (Foreign Language):

“Compartment No. 6” (Finland/Russia/Germany)
“Drive My Car” (Japan)
“The Hand of God” (Italy)
"A Hero" (France/Iran)
"Parallel Mothers" (Spain)

Best Motion Picture (Animated):

"Encanto"
"Flee"
"Luca"
"My Sunny Maad"
"Raya and the Last Dragon"

Best Original Score (Motion Picture):

Alexandre Desplat, "The French Dispatch"
Germaine Franco, "Encanto"
Jonny Greenwood, "The Power of The Dog"
Alberto Iglesias, "Parallel Mothers"
Hans Zimmer, "Dune"

Best Original Song (Motion Picture):

"Be Alive" from “King Richard” -  Beyoncé Knowles-Carter and Dixson
"Dos Orugitas" from "Encanto"  - Lin-Manuel Miranda
"Down to Joy" from "Belfast"  - Van Morrison
"Here I Am (Singing My Way Home)" from "Respect"  - Jamie Hartman, Jennifer Hudson and Carole King
"No Time to Die" from "No Time to Die"  - Billie Eilish and Finneas O’Connell

Tuesday, December 14, 2021

2021 NATIONAL FILM REGISTRY

The Library of Congress has added twenty-five movies to the National Film Registry which recognizes their artistic significance while helping to ensure their preservation for generations to come. This year some of the films selected include Hitchcock's psychological thriller based on the Patricia Highsmith novel, "Strangers on a Train"; John Waters' first feature and camp classic, "Pink Flamingos"; another camp classic featuring Joan Crawford and Bette Davis, "What Ever Happened to Baby Jane?"; the first of the horror franchise that introduced us to Freddy Krueger, "A Nightmare on Elm Street"; the first installment in the trilogy, "The Lord of the Rings: The Fellowship of the Ring" and several highlights of cinema focused on African-Americans that includes Cheryl Dunye's lesbian romantic-comedy, "The Watermelon Woman"; "The Murder of Fred Hampton", a documentary on the leader of the Illinois Black Panther Party; the coming-of-age, high-school comedy; "Cooley High"; "Richard Pryor: Live in Concert", a concert film featuring the comedy legend; and the Oscar-nominated drama set during the Great Depression in the South, "Sounder".

These films, which must be at least ten years old, have been named because of their cultural, historic or aesthetic importance and with these selections brings the number of films in the registry to 825. Here is the complete list of the films selected to the 2021 National Film Registry:

"Ringling Brothers Parade Film" (1902)
"Jubilo" (1919)
"The Flying Ace" (1926)
"Hellbound Train" (1930)
"Flowers and Trees" (1932)
"Strangers on a Train" (1951)



"What Ever Happened to Baby Jane?" (1962)



"Evergreen" (1965)
"Requiem-29" (1970)
"The Murder of Fred Hampton" (1971)
"Pink Flamingos" (1972)
"Sounder" (1972)



"The Long Goodbye" (1973)



"Cooley High" (1975)
"Richard Pryor: Live in Concert" (1979)
"Chicana" (1979)
"The Wobblies" (1979)



"Star Wars Episode VI: Return of the Jedi" (1983)
"A Nightmare on Elm Street" (1984)



"Stop Making Sense" (1984)
"Who Killed Vincent Chin?" (1987)
"The Watermelon Woman" (1996)
"Selena" (1997)



"The Lord of the Rings: The Fellowship of the Ring" (2001)
"WALL-E" (2008)

Thursday, December 9, 2021

LINA WERTMULLER (1928 - 2021)


Lina Wertmüller
, the Italian filmmaker who found international acclaim with "Seven Beauties" in 1975 which helped make her become the first woman nominated for the Academy Award for Best Director, has passed away today at the age of ninety-three. Easily identified by her signature white-framed glasses she usually wore, Wertmüller received an Honorary Oscar for her extraordinary career in 2019, making her only the second female director to receive this award. Her best work boldly blended comedy with political and social commentary, making her one of the most daring and exciting filmmakers in cinema.

She was born with the lengthy name, Arcangela Felice Assunta Wertmüller von Elgg Spanol von Braueich in Rome with her Italian father having some Swiss ancestory. As a young girl, she loved comic-books and was drawn to all areas in the performing arts. After graduating from the Silvio d'Amico National Academy of Dramatic Arts, Wertmüller found work as a set designer, avant-garde play producer, scriptwriter and puppeteer, traveling throughout Europe. Flora Carabella, a childhood friend, introduced her to actor, Marcello Mastroianni (who happened to be her husband) and he would later introduce her to filmmaker, Federico Fellini who would become Wertmüller's close friend and mentor.

After working as an assistant director on Fellini's "8 1/2", Wertmüller made her first film, "I basilischi (The Basilisks)" in 1963. She wrote and directed this drama that looks at the lives of three young men who live in a small, poverty-stricken village in southern Italy. This movie and her four subsequent feature films found local success but did not receive much attention outside of her home country. It was not until her 1972 feature, "The Seduction of Mimi" and "Love and Anarchy" from 1973 that put Wertmüller on the worldwide stage with both films nominated for Palme d'Or at the Cannes Film Festival. Giancarlo Giannini, who first worked with Wertmüller in "Rita la zanzara (Rita the Mosquito)" in 1966, won Best Actor at Cannes for his performance in "Love and Anarchy". The actor would appear in eight of her films including Wertmüller's greatest successes, "Seven Beauties" and "Swept Away".

"Travolti da un insolito destino nell'azzurro mare d'agosto (Swept Away... by an Unusual Destiny in the Blue Sea of August)" was one of Wertmüller's most controversial yet popular films that starred Mariangela Melato as a snobby, wealthy woman who winds up swapping roles with one of the low-ranking crew members of her yacht (Giannini) after they get stranded on a desert island. "Pasqualino Settebellezze (Seven Beauties)" features Giannini as an Italian businessman who deserts the army during World War II, then captured by the Germans and sent to a prison camp, where he does anything to survive. In addition to Best Director, the film received Oscar nominations for Best Actor, Best Original Screenplay and Best Foreign-Language Film

Hollywood would come calling and Wertmüller signed a four picture deal with Warner Bros. Her first English language film was "A Night Full of Rain" in 1978 with Candice Bergen and Giannini but it was a box-office flop with the studio canceling the rest of the contract. Undeterred, Wertmüller returned home to Italy and continued to make films. She ultimately made twenty-three movies throughout her career with her last film, the comedy-drama, "Peperoni ripieni e pesci in faccia (Too Much Romance... It's Time for Stuffed Peppers) made in 2004 and starred Sophia Loren.







Saturday, December 4, 2021

AWARD SEASON 2021 BEGINS


"Licorice Pizza", the latest from filmmaker Paul Thomas Anderson, took Best Film and Best Director from the National Board of Review. Set in the 1970's San Fernando Valley, this coming-of-age comedy-drama looks at a fifteen year old student getting ready for picture day at school when he falls for a decade older photographer's assistant. The stars, Alana Haim of the indie band, Haim and Cooper Hoffman, the son of the late actor, Phillip Seymour Hoffman, were both recognized for Best Breakthrough Performance. Two outstanding performances in "King Richard", the story of how Venus and Serena Williams were helped guided by their parents into becoming two of the greatest tennis players of all time, were honored with Will Smith as their father, Richard for Best Actor and Aunjanue Ellis as their mother, Oracene for Best Supporting Actress. One surprise was the unexpected selection of Rachel Zegler as Best Actress for her film debut as Maria in Steven Spielberg's remake of "West Side Story". The film isn't due out in theaters until Decemeber 11th but this is a good sign for the anticipated musical. And one of my favorite films of the year, "Summer of Soul (...or When The Revolution Could Not Be Televised)", which revealed amazing, rarely-seen footage from the 1969 Harlem Cultural Festival, received the well-deserved prize for Best Documentary.

This organization, made up of select filmmakers, academics, students and film enthusiasts in New York, has been around since 1909 and traditionally has been the first of the film critic groups to announce their picks to kick off award season. The NBR Awards will be handed out at a gala hosted by Willie Gest on January 11, 2022.

2021 winners of The National Board of Review:

Best Film: "Licorice Pizza"
Best Director: Paul Thomas Anderson, "Licorice Pizza"
Best Original Screenplay: Asghar Farhadi, "A Hero"
Best Adapted Screenplay: Joel Coen, "The Tragedy Of Macbeth"
Best Actor: Will Smith, "King Richard"
Best Actress: Rachel Zegler, "West Side Story"
Best Supporting Actor: Ciarán Hinds, "Belfast"
Best Supporting Actress: Aunjanue Ellis, "King Richard"
Best Cinematography: Bruno Delbonnel, "The Tragedy Of Macbeth 
Best Directorial Debut: Michael Sarnoski, "Pig"
Best Breakthrough Performance: Alana Haim and Cooper Hoffman, "Licorice Pizza"
Best Ensemble: "The Harder They Fall"
Best Animated Feature: "Encanto"
Best Foreign Language Film: "A Hero"
Best Documentary: "Summer of Soul (...or When The Revolution Could Not Be Televised)"
NBR Freedom of Expression Award: "Flee"

NBR Best Films of the Year:

"Belfast"
"Don’t Look Up"
"Dune"
"King Richard"
"The Last Duel"
"Nightmare Alley" "Red Rocket"
"The Tragedy of Macbeth"
"West Side Story"

Meanwhile the New York Film Critics Circle went in another direction by selecting "Drive My Car", the nearly three-hour drama by Ryusuke Hamaguchi, as Best Film. This group, founded in 1935 and includes critics from newspapers, magazines and online publications, went with a film that won the Best Screenplay prize at Cannes earlier this year and will represent Japan in the Oscars for Best International Feature. Other standout selections include Lady Gaga for Best Actress for her turn as Patrizia Reggiani in "House of Gucci" and Kodi Smit-McPhee's mesmerizing performance in "The Power of The Dog" which includes the director, Jane Campion and co-star, Benedict Cumberbatch also receiving prizes for the film.

Winners of the 2021 New York Film Critics Circle:

Best Film: "Drive My Car"
Best Director: Jane Campion, "The Power of the Dog"
Best Screenplay: Paul Thomas Anderson, "Licorice Pizza"
Best Actress: Lady Gaga, "House of Gucci"
Best Actor: Benedict Cumberbatch, "The Power of the Dog"
Best Supporting Actress: Kathryn Hunter, "The Tragedy of Macbeth"
Best Supporting Actor: Kodi Smit-McPhee, "The Power of the Dog"
Best Cinematography: Janusz Kamiński, "West Side Story"
Best First Film: "The Lost Daughter"
Best Animated Film: "The Mitchells vs. the Machines"
Best Non-Fiction Film: "Flee"
Best Foreign Language Film: "The Worst Person in the World"